It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 17, 2019, 06:23 AM
https://www.redsharknews.com/production/item/6300-...
With software suites continually offering an expanded toolsets and features, it can be easy to overlook the foundations of what makes a good edit. A good edit tells a story, a good edit has rhythm, and a good edit is invisible. No amount of visual trickery will disguise a bad cut and advances in hover-scrub technology will not correct poor rhythm and visual discontinuity.
April 17, 2019, 06:23 AM
https://nofilmschool.com/2019/03/hitfilm-pro-12-ma...
At this moment in time, post-production workflows are moving towards single-application solutions. FXHome’s HitFilm Pro 12 is one of those full-suite applications making collaboration in one single software possible. An all-in-one editor, compositor, and VFX suite with audio editing and color grading capabilities built in as well, HitFilm Pro 12 should be considered for your next motion graphics-heavy project. We take a look at several of its key features in this review.
April 17, 2019, 06:23 AM
https://www.redsharknews.com/production/item/6299-...
About 1600 companies exhibited at NAB 2019, and with almost 1300 people registered as press there were almost enough journalists around to permanently assign one of them to every booth on the show floor.
April 16, 2019, 09:15 AM
https://www.artofvfx.com/the-highwaymen-chris-macl...
In 2014, Chris MacLean explained the work of Mr. X on POMPEII. He then worked on many projects such as CRIMSON PEAK, BEN-HUR, LEGION and THE STRAIN.
April 16, 2019, 09:14 AM
https://jeffvlog.wordpress.com/2019/04/16/free-cin...
Inspired from such Hollywood Films as Drive, Max Max: Fury Road and Moonrise Kingdom after getting your film to a good base correction you can easily apply these film looks to your project to give it a big budget look.
April 15, 2019, 06:29 AM
https://www.pro-tools-expert.com/home-page/2019/4/...
It’s come to my attention that it’s almost four years since I wrote my one of my first Pro Tools Expert articles - Five Reasons I Use A Windows PC For Pro Tools. This also coincides with it now being six years since I set up 8dB Sound and made the decision to base it mainly around Windows technology. Looking back at my article, I’m not struck by how much has changed, but more by how much has stayed exactly the same. In this article, I’m going to take a look back at my original reasons an...
April 15, 2019, 06:29 AM
https://www.premiumbeat.com/blog/alter-video-color...
In this tutorial, I explore Premiere’s updated Lumetri curves — and how you can adjust, alter, and enhance the colors in your scene to boost your production value.
April 10, 2019, 06:10 AM
https://www.rocketstock.com/blog/create-fluid-anim...
If you’re looking for an effect to add eye-catching visuals to your footage, you’re in the right place. Whether you use it for a brand video or just for fun, this fluid animation will definitely bring a new dynamic to your project. The great part is that it’s relatively simple, involving only a few layers and one mask. Your audience will be hooked when the organic shape flows across your screen.
April 9, 2019, 10:15 AM
https://www.broadcastbeat.com/2019-nabshow-day-2-w...
Hi There! Welcome to DAY 2 of the 2019 NAB Show! We’re at it AGAIN – as you can see from the crowded Control Room, we are fit as a fiddle and ready to go! We’ve got ALOT in store for you today, so ...
April 8, 2019, 11:42 AM
https://www.artofvfx.com/captain-marvel-paul-butte...
In 2017, Paul Butterworth explained the work of Animal Logic on GUARDIANS OF THE GALAXY VOL. 2. He then worked on ALIEN: COVENANT.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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