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To The Community,

It is with a heavy heart that we announce we will no longer be updating Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell Founder

Carbon LA Promotes Bree Brackett to Colorist

May 12, 2022, 08:46 AM

Creative studio Carbon has promoted LA-based Bree Brackett to colorist. While at Carbon she has worked on campaigns for Adidas, AT&T, eBay, Gap and Nike, to name a few. Brackett, who works on FilmLight Baselight, joins Carbon’s roster of colorists who work across studios in New York, Los Angeles and Chicago, Continue reading → May 11, 2022 The post Carbon LA Promotes Bree Brackett to Colorist appeared first on postPerspective.

Color Management Part 6: Understanding the CIE 1931 diagram

May 12, 2022, 08:45 AM

In Part 5 we started to look at the CIE 1931 Chromaticity diagram, the distinctive rainbow tongue that pops up anytime color management is involved.  In this article / video, we pick up where we left off and look at how it was actually created.  The most pressing question – why is it such a [...]Read More... from Color Management Part 6: Understanding the CIE 1931 diagram

Grading on the go with Colorfront

April 29, 2022, 08:42 AM

It’s recently been felt to be a bad idea to have several members of different families sit in close proximity in a warm, enclosed space for day after day, which has made the usual process of colour grading difficult. As a result, at the height of the pandemic, various approaches to remote grading were thrown [...]Read More... from Grading on the go with Colorfront

Meet the Artist: Video Chat With Harbor Colorist Andrea Chlebak

April 29, 2022, 08:42 AM

By Randi Altman Watch our Meet the Artist Video Chat Here. Andrea Chlebak is a senior colorist at Harbor in Los Angeles. She works on episodic television and feature films, partnering with directors, DPs and showrunners along the way. She recently collaborated with director Adrian Lyne on the feature Deep Water, Continue reading → April 28, 2022 The post Meet the Artist: Video Chat With Harbor Colorist Andrea Chlebak appeared first on postPerspective.

NAB 2022: Colorfront adds to remote workflow capabilities

April 28, 2022, 09:10 AM

Colorfront is majoring on streaming software which live-streams secure, reference-quality pictures and audio with sub-second latency for remote collaborative review.

14 Tips for Faster Rendering in After Effects

April 22, 2022, 09:23 AM

Let's speed up your render times—and workflow—in After Effects with these handy settings and hardware tips.

Review: Asus ProArt 32-Inch UHD Color-Accurate Display

April 22, 2022, 09:23 AM

By Brady Betzel Color-accurate reference monitors are one of the most important components in your color-correction ecosystem. And while monitors directly connected to your system are best when they are color-accurate, embrace large resolutions, can conform to many color spaces and have many nits, it’s vital that your reference monitor is as accurate as possible to give the colorist the best starting point. Continue reading → April 21, 2022 The post Review: Asus ProArt 32-Inch UHD Color-Accu...

Colorist Society Hollywood to present NAB panel

April 20, 2022, 08:31 AM

HOLLYWOOD — In a special session at NAB Show 2022 in Las Vegas, three founding members of Colorist Society Hollywood, a newly-formed chapter of the global Colorist Society (CSI), will discuss the group’s ambitious plans for promoting their craft. The session is set to take place Sunday, April 24th at 9:15am at the Las Vegas Convention Center (N255-N257).

How to Add LUTs in Premiere Pro (And 35 Free LUTs)

April 16, 2022, 12:25 PM

In this step-by-step guide, we'll show you how to apply a single LUT in Premiere Pro and how to add your favorite LUTs to the dropdown menu.

Mark your calendars for the DaVinci Resolve Cloud Update

April 14, 2022, 08:19 AM

Normally I don’t post about upcoming events but this April 18th, pre-NAB DaVinci Resolve Cloud Update is noteworthy for a couple of reasons. First, we’re quickly coming upon our first in-person NAB in a couple of years so add Blackmagic to Adobe and Apple who have updated editing and post-production products before we convene in [...]Read More... from Mark your calendars for the DaVinci Resolve Cloud Update

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