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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Pro Tools Pricing Demystified

July 12, 2019, 09:36 AM

http://www.avidblogs.com/pro-tools-pricing-demysti...

The post Pro Tools Pricing Demystified appeared first on Avid Blogs.

The Role of Sound Design: From Early Editing Stage

July 9, 2019, 06:10 AM

http://www.avidblogs.com/the-role-of-sound-design-...

The post The Role of Sound Design: From Early Editing Stages to Final Mix appeared first on Avid Blogs.

Mixing sounds of fantasy and reality for Rocketman

July 8, 2019, 12:23 PM

https://postperspective.com/mixing-sounds-of-fanta...

By Jennifer Walden Paramount Pictures’ Rocketman is a musical fantasy about the early years of Elton John. The story is told through flashbacks, giving director Dexter Fletcher the freedom to bend reality. He could blend memories and music to tell an emotional truth as opposed to delivering hard facts. The story starts with Elton John (Taron Egerton) attending a group session with other recovering addicts. Continue reading → July 8, 2019 The post Mixing sounds of fantasy and reality ...

Re-recording Mixer Mike Prestwood Smith on the Roc

June 25, 2019, 05:55 AM

https://www.studiodaily.com/2019/06/re-recording-m...

Rocketman, Paramount Picture’s cinematic rock opera of Sir Elton John’s life, is as sui generis as the man who inspired it... The post Re-recording Mixer Mike Prestwood Smith on the Rocketman Soundtrack’s Unique Narrative Engine appeared first on Studio Daily.

A new VFX featurette on Jordan Peele's Us

June 1, 2019, 10:14 AM

https://beforesandafters.com/2019/06/01/a-new-vfx-...

A short visual effects featurette has been released in conjunction with the impending arrival of Jordan Peele’s Us on DVD and Blu-ray, in which ILM VFX supe Grady Cofer discusses how the ‘twinning’ shots in the film were done (with stunt doubles, splitscreens, head replacements and face replacements). It looks to be part of a larger featurette called ‘Tethered Together: Making Us Twice’. Check out the short clip below.

The Revenant‘s Martín Hernández Becomes Creati

May 22, 2019, 04:55 AM

https://www.studiodaily.com/2019/05/revenants-mart...

Mexico City’s Cinematic Media is entering audio post in a big way with the construction of six identical sound editorial and mixing stages outfitted with Avid Pro Tools systems and Dolby Atmos certification. The work is being overseen by supervising sound editor Martín Hernández, a two-time Oscar nominee for his work on The Revenant and Birdman or (The Unexpected […] The post The Revenant‘s Martín Hernández Becomes Creative Sound Director at Cinematic Media appeared first on S...

Shazam! Composer on Embracing Adventure

April 14, 2019, 06:11 AM

http://collider.com/shazam-composer-interview-benj...

If ever a superhero movie called for an adventurous score, it’s Shazam!. The DC Comics adaptation it literally about a kid becoming a superhero, and director David F. Sandberg’s film is abundant with joy, wonder, and opportunity. To that end, when it came time to composing the film’s score, Sandberg enlisted his frequent collaborator Benjamin Wallfisch to draw from classic adventure films of the 80s, particular of the Amblin variety. The result is a score that wholly embraces the wish fulf...

LumaFusion 2.0 announced at NAB 2019

April 11, 2019, 10:11 AM

https://www.provideocoalition.com/lumafusion-2-0-a...

At NAB 2019, Luma-Touch announced LumaFusion 2.0 with more tracks, track headers, improved media management, a UI (user interface) refresh and markers. This makes the most powerful video editor I know for iOS even more powerful. Here are the details. More tracks 6 video/audio or graphic tracks 6 additional stereo only audio tracks Or 12... The post LumaFusion 2.0 announced at NAB 2019 appeared first on ProVideo Coalition.

The RØDECaster Pro: Podcasting for Everyone

April 5, 2019, 11:01 AM

https://www.productionhub.com/blog/post/the-rdecas...

As a video producer, you know the difference between shooting a one-person interview and shooting two or more subjects. With multiple subjects, by the time you add more lights, cameras, audio gear, and background setup, you might as well be building a mini-television studio.

Star Wars: Episode IV Sound Design Explained by Be

April 5, 2019, 06:22 AM

http://www.studiodaily.com/2019/04/star-wars-episo...

Indepth Sound Design has assembled a 43-minute collection of detailed observations by sound designer Ben Burtt on his work developing audio effects for the first Star Wars movie. If you don’t have time to watch the whole thing, a detailed table of contents makes it easy to skip ahead and find out, for instance, just exactly […] The post Star Wars: Episode IV Sound Design Explained by Ben Burtt appeared first on Studio Daily.

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