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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Blackmagic UltraStudio 4K now offers Thunderbolt 2

October 31, 2013, 01:13 PM

http://postperspective.com/2013/10/blackmagic-ultr...

FREMONT, CA — Blackmagic Design is offering a new model of UltraStudio 4K, which now includes super fast Thunderbolt 2 technology. The new UltraStudio 4K replaces the previous model and is available now from Blackmagic Design resellers for $995. The UltraStudio 4K, is a rack mount capture and playback device based on Thunderbolt 2 technology […]

Standing Desks for Creative Professionals

October 31, 2013, 10:00 AM

http://www.premiumbeat.com/blog/standing-desks-for...

Is your creative profession encouraging a sedentary lifestyle? Check out some facts about standing desks and how this alternative may make you healthier and more productive.

¿Qué plugins OFX funcionan con Davinci Resolve?

October 30, 2013, 04:35 AM

http://feedproxy.google.com/~r/norendercom/~3/gxBD...

Una de las principales novedades de Davinci Resolve 10 es la posibilidad de trabajar con ...

Color Grading with Canon C-Log LUT

October 26, 2013, 06:44 AM

http://tomparish.com/color-grading-with-canon-c-lo...

I want to highlight a couple of films I've worked on this fall. Both were submitted to Sundance and will be submitted to SXSW. I'm going to start with The...

Meet The Artist: Alex MacLean

October 25, 2013, 10:06 AM

http://postperspective.com/2013/10/meet-the-artist...

This colorist and DI supervisor craves creative work. NAME: Alexander MacLean (@alexm13) COMPANY: Berkeley, CA’s Colorflow (www.colorflow.com), @colorflowpost CAN YOU DESCRIBE YOUR COMPANY? Colorflow is a full-service post company specializing in color grading for independent films, documentaries, long-form television, commercials and other projects. We’re located in a newly built facility in the historic Saul Zaentz […]

NAB 2012 Color Grading Tools Round Up

October 22, 2013, 04:46 AM

http://www.colorgradingcentral.com/archives/nab-20...

This has been exciting year at NAB with some game changing announcements. I hope to provide for you a round up on this years exciting products.

Defining DIT: The Right Tools For the Job

October 21, 2013, 04:03 PM

http://nofilmschool.com/2013/10/defining-dit-tools...

This is part three of a 3-part series on the evolving role and responsibilities of the contemporary Digital Imaging Technician. Nofilmschool interviewed 4 working DITs from New York and L.A. to help contextualize the role they play and offer insights into the business. Part 1 went into misconceptions about DITs, part 2 offers information about getting hired — now this one is for the gear-head in all of us. Read on for a look into some tools and practices behind the job.

FilmLight offers Windows version of Baselight for

October 21, 2013, 09:32 AM

http://postperspective.com/2013/10/filmlight-offer...

  LONDON — FilmLight has launched its Windows version of Baselight for Avid. This is part of the Baselight Editions range, which delivers the key elements the Baselight color grading software as a plug-in for existing post tools. Baselight Editions puts the Baselight user interface, along with its color processing, into a standard AVX plug-in. […]

Making Video look Filmic with OSIRIS LUTs

October 19, 2013, 01:08 PM

http://vashivisuals.com/making-video-look-like-fil...

I wanted to test out VisionColor’s new LUT package ‘OSIRIS’. It consists of 9 film stock and color emulations that to my eye...are very cinematic and organic feeling. My video test is at the bottom of the link.

Resolve and 'Captain Phillips'

October 15, 2013, 04:51 PM

http://www.creativeplanetnetwork.com/digital-cinem...

Blackmagic Design has announced that Company 3 London has used DaVinci Resolve for color grading the film adaptation of Captain Phillips.

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