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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The MEWShop Interview: Editor Andrew Hafitz

September 1, 2016, 09:31 AM

http://manhattaneditworkshop.blogspot.com/2016/09/...

Anna Gunn in EquityIn Equity, the new woman-centric Wall Street potboiler from director Meera Menon and production company Broad Street, shot after shot and cut after cut line up to reinforce a feeling of suffocating isolation. This is by design, according to editor Andrew Hafitz. The film, which follows investment banker Naomi Bishop (Anna Gunn) through a scandal-plagued tech IPO, is shot and cut with a cold, nearly clinical eye. From the first frames, the entire film seems intent on distan...

Monthly Topic: Failure

September 1, 2016, 09:31 AM

http://designingsound.org/2016/09/monthly-topic-fa...

Failure can be scary. As artists and designers, we encounter failure regularly. At the worst of times it can even deter us from trying. How can we push past failure and come out smarter and stronger? You build on failure. You use it as a stepping stone. Close the door on the past. You don’t try […]

Les roches

September 1, 2016, 05:52 AM

https://journaldunemonteuse.wordpress.com/2016/09/...

Erreur du correcteur orthographique ou faute de frappe ? Plusieurs échanges sms où nous nous parlons « des roches ».  « J’ai branché le disque dur et copié les roches dedans ».  Les rushes deviennent des pierres, des cailloux, de la roche, de la … Lire la suite →

SAGA OF THE AMPHIBI-HACK, PART 2: THE BUILD

September 1, 2016, 05:51 AM

http://lfhd.net/2016/09/01/saga-of-the-amphibi-hac...

“Are there supposed to be two of these?” My wife texts me at work. “I thought you were only making one of these.” On Friday the parts for the computer arrived. And apparently something happened with the order, as TWO computer cases arrived. So my wife, who knew I was building ONE computer was confused, […]

RealFlow & Cinema 4D: New Workflow for Fluid Simul

September 1, 2016, 05:51 AM

http://www.cgmeetup.net/home/realflow-cinema-4d-ne...

Next Limit`s RealFlow team has recently released the new RealFlow | Cinema 4D. This integration allows you now to get the best in fluid simulation directly inside C4D. With RealFlow`s Dyverso solver inside RealFlow|Cinema4D you get the best quality in small and medium-scale simulations.

IBM Watson cuts trailer for Morgan

August 31, 2016, 05:23 PM

http://www.philiphodgetts.com/2016/08/ibm-watson-c...

IMB Watson just cut a movie trailer. What do you think?

How I Learned to Love Premiere Pro Templates

August 31, 2016, 12:57 PM

http://www.premierebro.com/blog/how-i-learned-to-l...

HOW MOTION ARRAY PREMIERE PRO TEMPLATES CAN SAVE EDITORS TIME AND MONEY WITHOUT SACRIFICING HIGH-QUALITY WORK. What's your gut reaction to video editing templates? This post examines the stigma around video editing templates, and encourages editors to focus on storytelling in an industry that is increasingly more accessible to consumers. See how you can benefit from using video editing templates.

#editing#adobe#premiere pro#templates#motion array
HPA Announces Winner of Judges Award for Creativit

August 31, 2016, 12:13 PM

http://www.broadcastbeat.com/hpa-announces-winner-...

29 August 2016 (Los Angeles, CA) – The Hollywood Professional Association (HPA) has awarded its prestigious Judges Award for Creativity and Innovation to The Mill BLACKBIRD®. Created by The Mill, the BLACKBIRD® is the first fully adjustable car rig that creates photoreal CG cars. The coveted honor will be bestowed November 17th, 2016 at the ...

The Man in the High Castle VFX: Alternate-History

August 31, 2016, 12:13 PM

http://www.studiodaily.com/2016/08/the-man-in-the-...

"Imagine my iPad filling up with swastikas like crazy," says VFX supervisor Jeff Baksinski. He's remembering the process of researching Nazi styles and designs for the pilot episode of Amazon original series The Man in the High Castle, which imagines an … more » The post The Man in the High Castle VFX: Alternate-History Architecture appeared first on Studio Daily.

Get Started Building Your Own Metadata Tools in Ma

August 31, 2016, 12:13 PM

http://lesterbanks.com/2016/08/get-started-buildin...

The Rigging Dojo is offering an "Introduction to MetaData with CG Monks" course using the oundation of Red9’s libraries. The Post Get Started Building Your Own Metadata Tools in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks

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