It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 25, 2014, 05:20 AM
http://www.redsharknews.com/post/item/1939-renderi...
Realtime rendering is the hot topic in CG animation and vfx right now, thanks to a new breed of rendering solutions that harness the power of the latest generation of graphics processors. Launched just four months ago and promising ‘ludicrously fast 3D rendering’, Redshift is already causing a major stir amongst professional artists and CG enthusiasts. realtime renderingRenderingGPUredshiftMoore's law
August 25, 2014, 05:20 AM
http://www.fcp.co/final-cut-pro/tutorials/1481-vid...
The majority of training for FCPX is in English, so when good quality instructional video or publications come along we like to feature them. This time it's a VOD course in German from Robin S Kurz. We also have a discount code available for the first 15 takers.
August 24, 2014, 12:18 PM
http://filmmakermagazine.com/87288-are-too-many-pe...
Award-winning designer Stefan Sagmeister blasts the current co-option of the label “storyteller” in this provocative video. If you’re a novelist or filmmaker then, yes, Sagmeister says, you are a storyteller. But if you’re, for example, a roller coaster designer, then, he says, “No, fuckhead, you are not a storyteller!”
August 24, 2014, 12:18 PM
http://www.cinema5d.com/cinema5d-hiring-bloggers/
You are a filmmaker and have the drive to write about the art you love? You follow news in the filmmaking and filmmaking tech world closely? You might even have a blog writing about your own work and what’s happening in the filmmaking world, and you always suspect what’s around the corner?
August 24, 2014, 07:36 AM
http://www.thepoweredit.com/eyeballing-your-value/
Do eyeballs matter? Short answer: yes. It would suck to edit without possessing eyeballs. So if I was actually talking about the number of eyeballs watching your project, would that matter? Well, that depends. As of this writing, I’m editing on American Ninja Warrior, a wildly popular obstacle course competition show that airs in the […]
August 24, 2014, 07:36 AM
http://www.screeneditors.com.au/event-report-the-r...
DATELINE: Friday 7th February 2014 THE MAIN EVENT: An evening with NICK MEYERS ASE VENUE: Soundfirm Screening Room, NSW by Jane St Vincent Welch ASE Nick Meyers is one of Australia’s finest editors, he has been working for over 20 years on a wide range of films, from Balibo to The Boys, The Bank, Three Dollars to The Ballad [...]
August 24, 2014, 07:36 AM
http://www.angietaylor.co.uk/2014/05/26/creative-a...
“Today’s software is so creative and seductive that it is easy to think that’s all there is to creating engaging content. Angie Taylor’s book shows the other side of the story: the visual techniques and design principles that underpin digital... The post Creative After Effects 7 Reviews appeared first on Angie Taylor - Design & Software Training.
August 24, 2014, 07:35 AM
http://www.rogerebert.com/reviews/the-brown-bunny-...
In May of 2003 I walked out of the press screening of Vincent Gallo's "The Brown Bunny" at the Cannes Film Festival and was asked by a camera crew what I thought of the film. I said I thought it was the worst film in the history of the festival. That was hyperbole -- I hadn't seen every film in the history of the festival -- but I was still vibrating from one of the most disastrous screenings I had ever attended.
August 22, 2014, 08:36 PM
http://digitalfilms.wordpress.com/2014/08/23/more-...
I work a lot with a local college’s film production technology program as an advisor, editing instructor and occasionally as an editor on some of their professional productions. It’s a unique program designed to teach hands-on, below-the-line filmmaking skills. The gear has to be current and competitive, because they frequently partner with outside producers to […]
August 22, 2014, 12:28 PM
http://postperspective.com/emmy-winning-audio-pro-...
Emmy Award-winning sound designer and engineer Brian Beatrice has joined New York’s Nutmeg Post. Before joining Nutmeg, Beatrice worked at audioEngine, Bionic and Tonic. He began his career in 1997 at National Video Center and Recording Studios in New York. Beatrice is known for his short-form work for Nickelodeon, Food Network, USA Network, Syfy Channel […]The post Emmy-winning audio pro Brian Beatrice joins Nutmeg Post appeared first on postPerspective - Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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