It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 3, 2016, 06:06 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“I don't want to be like them. They want to be like me.” — Jesse ...
August 3, 2016, 06:06 AM
http://www.postmagazine.com/Post-Blog/2016/August/...
ANAHEIM, CA - SIGGRAPH was definitely smaller this year but it was laid out a lot differently and functioned a bit differently. This year it was apparent there were options for people with Exhibit Badges as they had access to panels and sessions done by vendors who rented space separate of SIGGRAPH that gave attendees more access to training, talks and specific needs. Side FX did Houdini training for the entire day on Tuesday. Autodesk had speakers for a few days about their product lines in...
August 3, 2016, 06:05 AM
http://designingsound.org/2016/08/evoking-emotion-...
When we discuss what makes the sound in any medium: film, music, video game, theater, etc. effective, it usually boils down to one of four aspects, and often all four: the detail in the design, the emotion conveyed, the way the sound meshes with the visuals, and the mix of the sonic elements. When […]
August 3, 2016, 06:03 AM
http://www.creativebloq.com/features/5-ways-to-sta...
Even the most organised of designers and creative directors can get overwhelmed by a hectic workload every now and then. But what's the best way to deal with a deluge of deadlines? In the latest interview from our video series with SomeOne, project manager Locket Aebischer and account manager Rosie Brennan reveal how they juggle multiple clients.
August 2, 2016, 04:35 PM
http://www.philiphodgetts.com/2016/08/the-end-of-t...
The Hollywood Reporter would like you to think Amazon and Netflix are disrupting the Studio System.
August 2, 2016, 04:35 PM
http://www.karenschmeer.com/blog/2016/8/2/enter-th...
This is the third in a series of posts on POV’s Documentary Blog about the regrettably underappreciated process and craft of documentary editing. Our guide is 2016 Karen Schmeer Film Editing Fellow.Pedro Kos, one of Meyer’s mentors, is an award-winning editor and director known for his character-driven films. This past June, he was invited to join the Academy of Motion Picture Arts and Sciences. His credits include two Oscar-nominated documentaries (The Square and Waste Land), The Crash ...
August 2, 2016, 01:00 PM
http://www.artofvfx.com/the-shallows-vfx-breakdown...
MELS have just released this VFX Breakdown about their work on THE SHALLOWS...
August 2, 2016, 11:43 AM
http://www.premierebro.com/blog/trumping-the-jump-...
STRATEGIES TO AVOID JUMP CUTS IN YOUR VIDEO. Too many pauses? Heaps of "ums"? This Premiere Gal blog post will teach you three editing strategies to "trump" your jump cuts or avoid them entirely.
#adobe#premiere pro#jump cut#morph cut#brillAugust 2, 2016, 08:48 AM
http://manhattaneditworkshop.blogspot.com/2016/08/...
Miguel Esteban RebagliatoMEWShop alumni are always popping up in new and exciting places. Case in point: Miguel Esteban Rebagliato, who completed the Six Week Intensive at MEWShop in 2012, recently worked as an assistant editor on the Emmy-nominated miniseries The Night Manager. He recently wrapped a job on the upcoming Angelina Jolie film First They Killed My Father, and is currently working as an AE on the BBC adaption of Zadie Smith’s N.W. We recently caught up with Miguel to talk about...
August 2, 2016, 08:48 AM
http://www.digimediapros.com/pluraleyes-4-1-releas...
RedGiant has released PluralEyes 4.1, the latest update to their A/V sync tool, as a free update, with many new features.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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