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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Audio Network Describes 5 Ways to Use Music to Tel

July 22, 2016, 11:10 AM

https://www.productionhub.com/blog/post/audio-netw...

In film, soundtrack is just as important as visuals for telling the story – it helps to fully convey the intended emotion of a scene, establish continuity and add momentum.

#story#music#soundtrack#audio network#leitmotifs
Week in Premiere 7/22/16

July 22, 2016, 11:01 AM

http://www.premierebro.com/weekinpr/week-in-premie...

THIS WEEK IN PREMIERE PRO: Live Q&A with Premiere Pro Sr. Product Manager • Premiere Pro Workflow for Feature Film Anna Unbound • Premiere Pro Dynamic Link with Adobe Audition • After Effects Text Templates for Premiere Pro

#adobe#premiere pro#bcpc#week in premiere#al mooney
Metadata Isn’t Just For Production

July 22, 2016, 09:12 AM

http://www.digimediapros.com/metadata-isnt-just-fo...

In this article by Philip Hodgetts, he address how metadata can be used not only for production, but also for distribution deliverables.

New Versions Of Kollaborate Server & Encoder Relea

July 22, 2016, 09:12 AM

http://www.digimediapros.com/new-versions-of-kolla...

Kollaborate Server 2.0.1 and Encoder 1.1.2 are now available for customers of Kollaborate Server in registered and trial editions. Read on to find out more.

How To: Using Lumetri Color’s HSL Secondary cont

July 22, 2016, 09:12 AM

http://blogs.adobe.com/creativecloud/how-to-using-...

In Premiere Pro CC 2016.3, we added a new HSL Secondary section to the Lumetri Color panel. This provides additional precision color tools to isolate a color/luma key and apply a secondary color correction to it. HSL Secondary is commonly used after the primary color correction, when you need to isolate and adjust a specific color more precisely, especially when the overall Hue Saturation Curves are hitting their limits. Typical scenarios are enhancing a specific color by making it stand ou...

Using Queries in Wwise

July 22, 2016, 05:52 AM

http://designingsound.org/2016/07/using-queries-in...

The Query Editor is a powerful tool within Wwise, yet most people I talk to either aren’t aware of it or never use it. With the Query editor, you can run searches in your project to easily make multi-edits, tag items, and even troubleshoot bugs. This post aims to lift the curtain on the Query editor to […]

ART OF THE CUT WITH Oscar Winner CONRAD BUFF IV, A

July 22, 2016, 05:51 AM

http://www.provideocoalition.com/art-cut-oscar-win...

In one way or another, Conrad Buff IV has played a part in the post of some of the most iconic cinema of the last forty years: “Return of the Jedi,” “Raiders of the Lost Ark,” “E.T.,” “Ghostbusters,” “Spaceballs,” “The Abyss,” “Terminator 2” and “Titanic.” 33 credits as editor, 11 more as assistant editor or The post ART OF THE CUT WITH Oscar Winner CONRAD BUFF IV, ACE on “The Huntsman: Winter’s War” appeared first on ProVideo Coalition.

Don’t Touch That Cross-Dissolve

July 22, 2016, 05:51 AM

http://www.digimediapros.com/dont-touch-that-cross...

Video and film editing is the art of combining two images together, implying meaning, context and continuation of thought. In this article by Rachel Bastarache Bogan, she explores the cut and why using the cross dissolve often may not be such a good idea.

AES publishes 2016 election results

July 22, 2016, 05:49 AM

http://www.audiomediainternational.com/news/aes-pu...

The AES has released the list of winning candidates from the balloting in the 2016 Audio Engineering Society international elections.

Motion Tracking Options from Boris FX and Imaginee

July 21, 2016, 12:12 PM

http://www.avidblogs.com/motion-tracking-options-b...

The article Motion Tracking Options from Boris FX and Imagineer Systems for Media Composer by Ross Shain appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

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