It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 13, 2013, 10:43 AM
http://sportsvideo.org/main/blog/2013/12/brevity-a...
Brevity, the software company that brought to market the first simultaneous transport and transcoding solution and super-accelerated file delivery, announced today its newly integrated 4K and motion compensated frame rate conversion capabilities, enabling seamless 4K workflows and frame rate conversion on-the-fly as part of its offering.
December 13, 2013, 05:25 AM
http://www.screeneditors.com.au/event-report-editi...
DATELINE: Sunday 4th August 2013 THE MAIN EVENT: Editing Masterclass with Andy Canny The Australian Screen Editors Guild in association with MIFF Accelerator presented the Editing Master Class with Andy Canny on Sunday the 4th of August as part of the 2013 Melbourne International Film Festival. Editor Andy Canny’s most recent editing credit is the [...]
December 13, 2013, 05:25 AM
http://journaldunemonteuse.wordpress.com/2013/12/1...
Nous venons de reprendre le montage du 90 minutes avec Anaelle. (Nous avons pris l’habitude de travailler avec des pauses en raison de nos diverses activités à toutes les deux). Récemment le film le vient d’obtenir l’aide au développement renforcé … Lire la suite →
December 13, 2013, 05:24 AM
http://animationguildblog.blogspot.ca/2013/12/owni...
... “Turbo FAST” and the DWA shows that follow have been designed to serve as a marketing template on how to build a franchise. A hit show will help sell more mobile games, toys and other merchandise — all of which can lead to the greenlight of a film sequel. While the $135 million-budgeted “Turbo” earned only $82 million Stateside and $282 million worldwide, DWA CEO Jeffrey Katzenberg says the film is profitable for the company when toy sales and homevideo results are factored in.
December 12, 2013, 08:05 PM
http://www.fxguide.com/featured/the-book-thief-cra...
The Book Thief is Brian Percival’s adaptation of the Markus Zusak brilliant novel, following the touching story of Liesel Meminger in Germany during the break out of World War II. RISE FX visual effects supervisor Florian Gellinger oversaw the film’s VFX work, hand in hand with RISE in-house supervisor Jonathan Weber and producer Kerstin Kensy. We asked Gellinger about some of the key shots.
December 12, 2013, 08:05 PM
http://www.fxguide.com/quicktakes/ves-camera-repor...
Sam Richards at Sony Pictures Imageworks has been working away hard on coding and producing something so simple it is hard to believe we need it as an industry, and yet as most artists know, it is a vital part of production that is often lost: accurate on-set camera notes.
December 12, 2013, 08:05 PM
http://www.deadline.com/2013/12/oscars-monsters-un...
You gotta give Pixar credit — they never follow the easy path. Take Monsters University, the first prequel...
December 12, 2013, 08:04 PM
http://postperspective.com/2013/12/running-a-busin...
COMPANY: London-based Milk Visual Effects (www.milk-vfx.com, @MilkVFX) CAN YOU DESCRIBE YOUR COMPANY? An independent boutique visual effects company focused on creating innovative and complex sequences for TV (Doctor Who, Sherlock, Black Sails) and feature films (47 Ronin; Hercules). WHAT’S YOUR JOB TITLE? CEO/Executive Producer. WHAT DOES THAT ENTAIL? I run the business with our MD, Nick […]
December 12, 2013, 01:55 PM
http://www.studiodaily.com/2013/12/the-vault-adds-...
The Vault, the licensed music collection from sonic branding experts Stephen Arnold Music, has announced several major additions to its offerings. Building on its partnership with H2U, a top European collective that excels in electronica, techno, rock and more, The … more »
December 12, 2013, 01:53 PM
http://www.studiodaily.com/2013/12/hans-zimmer-goe...
Anyone who goes to the movies know Hans Zimmer's work, even if they don't recognize his name right away. Zimmer is the composer of the music for Man of Steel, The Lone Ranger, 12 Years a Slave, Rush, Last Love, and the hit TV miniseries The Bible. And that's just in 2013.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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