It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 11, 2013, 05:47 PM
http://floobynooby.blogspot.ca/2013/12/the-cinemat...
Here is Part 1 of 3 on a case study of the shot compositions from Pixar's film "The Incredibles, I'll go over how the relationships of all the visual elements on screen were meticulously crafted to form a point focus in every shot. It is through the arrangement and control of all the elements on screen that the filmmakers were able to guide the sight, thoughts and emotions of the audience. All images used here are ©Disney/Pixar (unless otherwise stated).
December 11, 2013, 02:11 PM
http://www.screeneditors.com.au/event-report-red-o...
DATELINE: October 6th 2013 THE MAIN EVENT: Red Obesession Screening, Q&A VENUE: ACS Headquarters North Sydney, NSW Wednesday 6th November, Adobe presented in association with the ACS and the ASE, a special screening of Red Obsession; a documentary about winemakers, wine lovers and its buyers. One of the highlights in itself was the location – the ACS headquarters, where the screening [...]
December 11, 2013, 10:39 AM
http://provideocoalition.com/ssimmons/story/produc...
If you follow what has been going on in the world of non-linear editing tools for the past few years you know that Adobe has been working very hard to make Premiere Pro a viable option for every aspect of editorial and post-production. The Adobe Premiere Pro team has been asking questions, listening to editors and improving their product with release after release pretty much ever since CS4 came along. I’m happy to report that with Adobe Premiere Pro CC the tool really has arrived.
December 11, 2013, 10:39 AM
http://bryoncaldwell.blogspot.ca/2013/12/the-cinem...
There's a nice breakdown of the cinematography of The Incredibles over on the FloobyNooby blog. It's worth a look!
December 11, 2013, 10:39 AM
http://thenextweb.com/insider/2013/12/11/the-art-o...
Gary Vaynerchuk says that he lives with the assumption that he’s speaking ‘on the record’ 24 hours per day, seven days per week, 365 days per year, and yet at LeWeb Paris today he wasn’t afraid to give engaging, entertaining answers to Loic Le Meur’s questions about his approach to business and technology.
December 11, 2013, 10:38 AM
http://www.3dvf.com/actualite-8321-guerilla-render...
At the launch of the renderer Guerilla Render 1.0 , Mercenaries Engineering published a product page detail, which comes on the strengths of the system. You will find details of the capability of the engine. Guerilla Recall that looks like a rendering solution, look development and lighting, and not as a simple rendering engine. At the heart of the software.
December 11, 2013, 05:38 AM
http://www.macworld.com/article/2068823/how-effect...
Apple has made much of how green its business is. But how green is it really? In this excerpt from his book Junkyard Planet (Bloomsbury Press, $26), writer Adam Minter takes a look.
December 11, 2013, 05:36 AM
http://www.redsharknews.com/distribution/item/1303...
Some slightly twisted logic here, but we think the end of the beginning for HD might signal the beginning of the end of it as well HD4KBBCBBC 4BBC New ChannelBBC4 HDBBC News Channel HD
December 11, 2013, 05:36 AM
http://provideocoalition.com/ssimmons/story/produc...
If you follow what has been going on in the world of non-linear editing tools for the past few years you know that Adobe has been working very hard to make Premiere Pro a viable option for every aspect of editorial and post-production. The Adobe Premiere Pro team has been asking questions, listening to editors and improving their product with release after release pretty much ever since CS4 came along. I’m happy to report that with Adobe Premiere Pro CC the tool really has arrived.
December 11, 2013, 05:34 AM
http://www.avnetwork.com/av-technology/0002/audio-...
Audio-Technica has made available online the "Ask Me Anything" (AMA) sessions the company hosted at the 135th AES Convention in New York, NY.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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