It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 27, 2016, 04:39 PM
http://www.studiodaily.com/2016/06/credited-as-spe...
In the latest installment of the Academy of Motion Picture Arts and Sciences Credited As series, special make-up effects artist Howard Berger — along with Robert Kurtzman and Greg Nicotero, he founded the legendary KNB EFX Group — discusses the art … more » The post Credited As: Special Makeup Effects Artist appeared first on Studio Daily.
June 27, 2016, 04:39 PM
http://www.provideocoalition.com/lets-edit-media-c...
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about color. The color of your bins, the color of your Project window, and even the color of your timeline window, and how to adjust them. Then, it’s onto talking about how to adjust the clip colors in your timeline, which will give The post Let’s Edit with Media Composer – ADVANCED – Clip & Interface Color Options appeared first on ProVideo Coalition.
June 27, 2016, 04:39 PM
http://postperspective.com/sight-sound-story-how-t...
By Fergus Burnett Earlier this month, Manhattan Edit Workshop held its yearly Sight Sound & Story conference in New York City. It was a full day of panel discussions featuring editors and visual effects pros at the top of their game. The conversations were refreshing and helpful — the panelists focused on their individual journey to where they are now, Continue reading →June 27, 2016
June 27, 2016, 07:17 AM
http://designingsound.org/2016/06/pushing-the-boun...
If you are a sound effects or synth creator who has submitted a library to the Designing Sound monthly recaps and you would like to contribute to this series (and for some you haven’t received the questionnaire—check your spam folder), please email adriane@designingsound.org. In this eighth installment about how SFX creators have pushed artistic and […]
June 27, 2016, 07:17 AM
http://www.redsharknews.com/business/item/3587-wha...
In light of the UK's decision to leave the European Union, how will Brexit impact productions and film professionals at home and abroad? BrexitUK productionEuropean UnionpoliticsBusinessOpinion
June 27, 2016, 07:17 AM
http://www.fcp.co/motion/tutorials-for-apple-motio...
In this latest tutorial from Motion guru Fox Mahoney, he takes a deep look into the advanced 3D features using fonts in the application. This is pushing Motion's 3D capabilities to the limit.
June 27, 2016, 07:17 AM
http://www.audiomediainternational.com/recording/r...
Like many, I have been keeping a careful eye on the developments Avid has been making with Pro Tools. The company has seen some tough times recently and end users have been sceptical about the constant flow of updates. Plug-in and third-party software manufacturers have had to play catch up, providing new 64-bit AAX versions of its products. However, there is apparently light at the end of the tunnel, and in my opinion Pro Tools has something to shout about again.
June 27, 2016, 07:16 AM
https://blogs.creativecow.net/blog/14287/remove-ca...
Here is what I found attempting to use the Avid Media Composer to remove video cadence making a clean progressive video frame. The master clip current 'Field Motion' clip selection in the bin column is the default for some 'Refresh Sequence' commands making this already part of a workflow. Now the fun is if there are sources that one would like to remove the video cadence.
June 26, 2016, 04:53 PM
http://www.provideocoalition.com/multitrack-audio-...
In field production or in the studio, ideally, we record every audio source on its own track for absolute control in post. For many years, I have been covering devices to accomplish that. However, some producers need to stream live or to record live-to-drive, where all voice sources are mixed on the fly, i.e. when The post Multitrack audio for best control later, versus live mix appeared first on ProVideo Coalition.
June 26, 2016, 09:27 AM
http://designingsound.org/2016/06/sunday-sound-tho...
As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… This week, I’m returning to the little thread of visual analogs that […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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