It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 15, 2015, 04:16 PM
http://tracking.feedpress.it/link/9766/1882679
Ready for Primetime Promoting a television show is often as important as the show itself. Sometimes you’re under a deadline and need to make a promo spot quickly. Or maybe you just need title card for your show.
October 15, 2015, 04:14 PM
http://www.reelchicago.com/article/gonzalez-edited...
Beast editor Dean Gonzalez, who in 2004 in Los Angeles spent a year shaping endless hours of footage about a famous band into a feature documentary that the band and director waited 10 years to release so it would serve as a time capsule for the band’s worldwide fans.
October 15, 2015, 12:24 PM
http://www.avidblogs.com/how-to-combine-sapphire-e...
The article How to Combine Sapphire Effects to Set Up Custom Transitions in Media Composer by Nick Harauz appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
October 15, 2015, 12:23 PM
http://www.cinematographydb.com/2015/10/how-cinema...
We were never meant to shoot motion pictures in 16:9. Yet modern cinematographers are forced to work within it’s disproportioned prison walls every day and most don’t question it’s origin. I personally find 16:9 to be an ugly aspect ratio, but it is the current standard for HD (1920×1080) and UHD (3840×2160), so we will be viewing 16:9 screens for a very long time.
October 15, 2015, 12:23 PM
http://www.cgchannel.com/2015/10/side-effects-ship...
Houdini 15 improves the software’s ability to distribute very large simulations across a network for calculation. See more videos of the new features in the latest update on developer Side Effects Software’s Vimeo channel.
October 15, 2015, 09:30 AM
http://www.premiumbeat.com/blog/quick-tip-applying...
Need to apply a LUT to your footage? No problem. Here's how it's done in Premiere Pro.
October 15, 2015, 09:29 AM
http://www.redsharknews.com/production/item/2958-r...
Simon Wyndham looks at the 502 field monitor and Sidefinder EVF-attachment, an innovative new system from SmallHD. SmallHDSmallHD 502SidefinderloupeEVFField MonitorReviewVitec Group
October 15, 2015, 09:29 AM
http://www.fcp.co/final-cut-pro/articles/1735-anim...
We always like to feature newcomers to the FCPX ecosystem and this one looks cool and a lot of fun. A $49 plugin featuring a fully adjustable animating 3D model of an iPhone 6S in Final Cut Pro X.
October 15, 2015, 09:29 AM
http://www.artofvfx.com/the-martian-neil-weatherle...
Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.
October 15, 2015, 09:28 AM
http://www.creativeplanetnetwork.com/news/post/wat...
Fox's return of The X-Files is being heralded by a stylish new animated trailer inspired by the master of stylish animation himself: Saul Bass. Some of Bass' most enduring work is his opening title sequences to such Alfred Hitchcock classics as Psycho and North by Northwest.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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