It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 12, 2013, 05:46 AM
http://roosterpost.wordpress.com/2013/11/12/editor...
At last Thursday’s Advertising & Design Club of Canada Award show, Rooster Editors Dave De Carlo’s and Mick Griffin’s editorial work was singled out in the Advertising Broadcast Craft categories. Mick’s work on behalf of Lowe Roche for The Heart … Continue reading →
November 11, 2013, 06:36 PM
http://walterbiscardi.com/big-changes-coming-to-th...
Had an awesome meeting today with Carl Olson today, my partner in crime on this very site. He’s the guy who built this site and has helped get all the back end components into place so we can have the site ready to go for the next phase. As you know the intention of this […]
November 11, 2013, 06:36 PM
http://ryansalazar.net/index.php/2013/11/light-iro...
Hollywood-based post house Light Iron provided on-set color, color workflow and final color for the film Ender’s Game. See on cs.entertainmentcareers.net
November 11, 2013, 06:35 PM
http://www.ropeofsilicon.com/explore-3d-post-conve...
I'm not a fan of 3D. With pretty much every 3D film I've ever seen I think I can honestly say it would have been just as good in 2D barring a couple exceptions such as Hubble 3D. This isn't to say there are a few moments here and there in films where the 3D visuals may "wow" me, but for the most part I'm there for the story and the here-and-there wows are nice when they arrive, but not essential to the experience in most cases.
November 11, 2013, 04:43 PM
http://blog.dvfanatics.com/2013/11/how-to-become-v...
When looking to pursue a career in professional film or video editing, learn the craft first, then the tool.
November 11, 2013, 12:39 PM
http://www.studiodaily.com/2013/11/a-brief-history...
In just over two minutes, Art of the Title charts the evolution of video game titles, showing how cinematic style and technological innovation has influenced generations of game designers.
November 11, 2013, 10:50 AM
http://twainthestoryteller.com/2013/11/11/frame-of...
Joel Yeaton is a Producer/Editor at Weber Shandwick in Boston who mixes it up as a mograph artist and colorist from time to time. He is currently working on videos for Oreo, Hellmann’s, Verizon, and Ocean Spray (to name a few). He has also worked on multiple short films that showed in the festival circuit […]
November 11, 2013, 06:13 AM
http://noamkroll.com/davinci-resolve-10-just-made-...
Over the last decade, the post-production industry has been suffering. Large post houses like Technicolor or Deluxe have been hit the worst as the need for their services is shrinking by the day. In fact post-production has been called a dying industry by many, even making BNET’s ‘Top 10 Dying Industries’ list, and for good reason.
November 11, 2013, 05:49 AM
http://www.fie.us/dear-hollywood-vfx-its-over-we-l...
Here’s the thing though. This isn’t a mathematical proof. You can’t prove me wrong with arguments made of words, math, logic and history. You can only prove me wrong with empirical evidence. You actually have to do what I’m saying cannot or will not be done. Then, you’ll have proved me wrong. But you won’t.
November 11, 2013, 05:49 AM
http://kyleesportfolio.com/blog/?p=1501
This is an entirely self-serving post with no actual interesting information to share. Since June I’ve been cutting season three of This American Land. It’s begun airing on many PBS stations across the country and will continue to get added … Continue reading →
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.