It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 9, 2015, 05:58 AM
http://blogs.adobe.com/creative/meet-jonathan-ball
We recently caught up with Jonathan Ball, the renowned Wales-based designer whose clients include the BBC, MTV and Sony to name a few. Jonathan has a reputation for wacky and non-conformist character designs, intricate worlds and edgy video graphics – as demonstrated by the image above! Read on to see what Jonathan had to say when we chatted to him at the Adobe Creative Meet Up in London. Credit: Jonathan Ball, Poked Studios Adobe: What are you working on at the moment? Jonathan: I’...
October 9, 2015, 05:58 AM
http://tracking.feedpress.it/link/9766/1852156
To Great Titling and Beyond They're finally here! New Animation Packs for Titler Pro. Giving you the power to create complex motion graphics inside Titler Pro. No more round-tripping from your video editing application to After Effects and back. Get what you need right in your NLE with Titler Pro.
October 9, 2015, 05:57 AM
http://www.cgchannel.com/2015/10/discover-how-2d-s...
Gnomon School of Visual Effects has announced 2D Skills in 3D VFX: a free two-hour panel discussion and Q&A with three leading VFX artists from League of Legends developer Riot Games.
October 9, 2015, 05:57 AM
http://www.cgchannel.com/2015/10/genarts-ships-sap...
GenArts has released Sapphire 9, the latest update to its industry-standard collection of preset effects, transitions and looks for editing, compositing and finishing software.
October 9, 2015, 05:57 AM
http://www.cgmeetup.net/home/ornatrix-v4-for-3ds-m...
A quick look at a new feature in Ornatrix V4 which allows making hair setups into reusable assets: grooms. We look at what grooms are, using them, and creating them from a hair setup. This is a short introduction with more on grooms covered in future videos and official docs.
October 8, 2015, 07:08 PM
http://www.motionelements.com/blog/uncategorized/b...
MotionElements recently sponsored ‘Fix It In Post’, an interesting and insightful event that was hosted in New York on 16th September by Blue Collar Post Collective. We wanted to tell you a little bit more about it… Fix It In Post was held to demystify the post-production workflow. This event was a town-hall style […]
October 8, 2015, 07:08 PM
http://postperspective.com/mark-mangini-keynotes-a...
Panels focus on specifics of music, effects and dialog sound design, and immersive soundtracks By Mel Lambert Defining a sound designer as somebody “who uses sound to tell stories,” Mark Mangini, MPSE, was adamant that “sound editors and re-recording mixers should be authors of a film’s content, and take creative risks. Art doesn’t get made without risk.” A sound designer/re-recording mixer at Hollywood’s Formosa Group Features, Mangini outlined his sound design philosophy d...
October 8, 2015, 07:07 PM
http://www.motionelements.com/blog/uncategorized/b...
MotionElements recently sponsored ‘Fix It In Post’, an interesting and insightful event that was hosted in New York on 16th September by Blue Collar Post Collective. We wanted to tell you a little bit more about it…
October 8, 2015, 01:31 PM
https://digitalfilms.wordpress.com/2015/10/08/rock...
Film emulation LUTs (color look-up tables) are always a popular discussion point and I’ve covered a number of the products on the market. Some of these are plug-in effects that include 3D LUT files as part of the package, like Koji, Color Finale, FilmConvert, etc. Others are toolkits with different types of files that are […]
October 8, 2015, 01:31 PM
https://www.rocketstock.com/blog/using-the-fast-co...
When working on a project, you will always need to do some basic color correction, even if it’s simply going out on the web. However, if you’re short on time, there’s a handy tool in Premiere Pro that can kick your color correction into overdrive.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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