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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

3 workarounds for iOS mediographers (iPad/iPhone/i

June 1, 2014, 07:06 AM

http://provideocoalition.com/atepper/story/3-worka...

Whether you have been using one of the audio/video production apps I have been covering (including Bossjock Studio, FiLMiC Pro, and RØDE Rec) or some others I have yet to cover, you’ll likely have encountered software limitations. This article covers three workarounds to use in the meantime, while app developers add direct support for essential features like SFTP, Gmail app, and until Apple fixes AirDrop between iOS and Mac OS.

5 Features Apple Should Add in iOS 8

May 31, 2014, 03:00 PM

http://www.digitalrebellion.com/blog/posts/5_featu...

With WWDC and iOS 8 around the corner, we thought we'd offer up our wish list for future iOS features and bug fixes.1. Documents appThe biggest problem with iOS is the limited file system, which can make working on files in different apps difficult.Currently you can store movies and photos in a central place that is accessible by all apps with permission to access it. While this implementation has its flaws (e.g. apps can't delete files they've created), creating a similar storage area fo...

May 22nd BOSCPUG: Adobe Video Pro Apps Post NAB wi

May 31, 2014, 02:59 PM

http://bosfcpug.org/boscpugmay22/

Our May 22 BOSCPUG Featured Post NAB "What's New" with Adobe Premiere Pro CC with Dave Helmly and "From Script to Screen" with Kanen Flowers ("18:20," "HERO PUNK")

Taking your BCC AE looks to BCC AVX

May 31, 2014, 02:59 PM

http://provideocoalition.com/kmcauliffe/story/taki...

Last week I had an interesting situation come up.  I was working on a commerical for Tom Cruise's "Edge of Tomorrow", and I needed to make a small revision to some text.  I didn't want to go into After Effects to do it, but my problem was, is there a simple way to take my BCC AE look, and quickly get it into Media Composer?  Well guess what, there is!  In this exclusive PVC tutorial, I'll show you how simple it is!

June 2014

May 31, 2014, 02:59 PM

http://lappg.com/june-2014/

LOOKING FOR WORK? HELP GET YOURSELF HIRED WITH THIS WORKSHOP! The Los Angeles Post Production Group in association with ProductionHUB is hosting a free workshop at Cine Gear Expo called: Win Projects & Attract Clients By Making Your ProductionHUB Profile Work For You on Friday, June 6th at 4:00pm at

Godzilla director guide to After Effects

May 31, 2014, 09:51 AM

http://eriknaso.com/2014/05/31/godzilla-director-g...

Garth Edwards is a super talent. He not only directs but is a very accomplished VFX artist. A few years ago Garth did a series of After Effects Tutorials called “A Guerrilla Filmmakers Guide to After Effects” Now it’s available for only $99. If you’re into After Effects this is a pretty impressive course at a very good price. Garth did this course after finishing the BBC drama ‘Attila the Hun’.

News: DNA Signs Director Ethan Lader

May 30, 2014, 07:57 PM

http://news.creativecow.net/story/875804

(Hollywood, California--May 30, 2014) Live-action production company DNA has signed director Ethan Lader to its award-winning roster of filmmakers. Lader is a highly sought-after director and brings an imaginative style to DNA, helping to solidify the company’s position as one of the most creative, artistically-minded and experienced production teams in the industry.

Avid Media Composer | Software v8

May 30, 2014, 07:56 PM

http://digitalfilms.wordpress.com/2014/05/31/avid-...

At NAB Avid presented its Avid Everywhere concept. While Everywhere is a over-arching marketing concept, involving “the cloud”, storage, asset management, a marketplace and more, for most independent editors, Avid is all about Media Composer and/or Pro Tools. Given that, there’s very little in the Everywhere concept that affects these users. The most salient part […]

Editorial boutique Misfit open for business in San

May 30, 2014, 07:55 PM

http://postperspective.com/editorial-boutique-misf...

San Francisco — Misfit, an editorial creative boutique recently launched in San Francisco. The shop is run by founder and editor Doug Cox and executive producer Kelly Koppen. They have a combined 30 years of industry experience and strong contacts in the ad community in New York, LA and the Bay Area. When asked why […]The post Editorial boutique Misfit open for business in San Francisco appeared first on postPerspective - Randi Altman's postPerspective.

Kelly Reichardt Edit movies if you want to be a di

May 30, 2014, 12:48 PM

http://www.indiewire.com/article/kelly-reichardt-o...

The dearth of popular female filmmakers makes us all the more grateful for Kelly Reichardt, a director who has made some of the most daring and beautiful films of the past decade and has since become an increasingly dominant force in independent cinema. She makes deceptively simple films--composed of quiet, minimalist surfaces pulsating with increasingly irrepressible uncertainty and loneliness. Mesmerizing and often cryptic, they offer the immersive experience of getting lost alongside wanderin...

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