It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 10, 2022, 09:01 AM
https://www.provideocoalition.com/editors-on-editi...
On todays episode of Editors on Editing, Glenn talks with “Belfast” editor Úna Ní Dhonghaíle. You likely know Úna from her editing work on shows such as “The Crown” and “Three Girls” and for the upcoming feature “Death on the Nile.” Úna has also been nominated for an ACE Eddie for “Belfast.” Enjoy the episode! [...]Read More... from Editors on Editing Podcast w/ “Belfast” Editor Úna Ní Dhonghaíle
February 9, 2022, 09:03 AM
https://postperspective.com/sundance-editor-seth-a...
Screened at this year’s Sundance, the documentary TikTok, Boom. dissects the incredibly popular social media platform TikTok. The film examines the algorithmic, sociopolitical, economic and cultural impact of the app — the good and the bad. The doc also features interviews with a handful of young people who have found success on TikTok. Continue reading → February 8, 2022 The post Sundance: Editor Seth Anderson on Editing TikTok, Boom. Documentary appeared first on postPerspective.
February 8, 2022, 08:39 AM
https://postperspective.com/pamela-martin-on-editi...
The Reinaldo Marcus Green-directed King Richard is a biographical drama following the life of Richard Williams (Will Smith), the father and coach of tennis phenoms Venus and Serena Williams. The film follows the young sisters growing up in Compton, California, their father’s unwavering belief that they could make it in pro tennis, and their rise to world fame. Continue reading → February 7, 2022 The post Pamela Martin on Editing Warner Bros.’ Biopic King Richard appeared first on po...
February 8, 2022, 08:38 AM
https://www.redsharknews.com/the-proart-pa148ctv-t...
The latest addition to the ASUS ProArt product line is the PA148CTV monitor. Here's what we think of it.
February 8, 2022, 08:38 AM
https://beforesandafters.com/2022/02/08/cinesite-b...
See the VFX studio's VFX reel for the creatures.
February 8, 2022, 08:38 AM
https://beforesandafters.com/2022/02/08/how-rodeo-...
Watch this new VFX breakdown video.
February 7, 2022, 08:58 AM
https://beforesandafters.com/2022/02/07/inside-the...
For scenes of Spider-Man facing off against Doc Ock on a freeway overpass early on in Spider-Man: No Way Home, production shot plates on an Atlanta backlot. Digital Domain then took those as a starting point, building out a huge environment, added CG vehicles and sometimes CG characters, and generally crafting an additional sense of destruction and mayhem.
February 5, 2022, 08:45 AM
https://www.premiumbeat.com/blog/understanding-pov...
Point of view determines how your audience experiences your visual world. Take control of your project with these storytelling approaches.
February 5, 2022, 08:44 AM
https://www.provideocoalition.com/art-of-the-frame...
*Cue Olympic Theme Song* Welcome to this special Friday episode of the Art of the Frame Podcast! On todays episode, Scott Simmons talks with longtime Olympic Games editor Rob Weir. In his 35 years in the industry, Rob has cut 7 Emmys, 10 Tellys, 10 Olympics and numerous docs as well as dozens of network [...]Read More... from Art of the Frame Podcast w/ Olympic Games Post Production Editor Rob Weir
February 5, 2022, 08:44 AM
http://manhattaneditworkshop.blogspot.com/2022/02/...
Manhattan Edit Workshop (MEWShop), the cutting-edge, online digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the March 7th class will be Oscar-nominated Editor Tom Eagles, ACE.** Tom Eagles, ACE, is a film editor hailing from Aotearoa/New Zealand. It was there that he began his collaboration with Taika Waititi, cutting cult comedy "What We Do in the Shadows," "Hunt for the Wilderpeople," and "Jojo Rabbit...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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