It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 28, 2022, 08:51 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
Sand. Lots and lots of sand. If there’s one thing that people immediately envision when they hear the title Dune, it is the infinite landscape of brown/orange sand. Also, the giant sandworms. And, of course, the futuristic vehicles and other worldly environments and objects.
January 28, 2022, 08:50 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
Writer/director Paul Thomas Anderson’s Licorice Pizza is the story of Alana Kane and Gary Valentine growing up, running around and falling in love in the San Fernando Valley in the early 1970s. The Metro Goldwyn Mayer Pictures and Focus Features film was shot on 35mm film (anamorphic), and using Panavision’s Millennium XL. Andy Jurgensen cut the project, working on an Avid Media Composer.
January 28, 2022, 08:50 AM
https://www.redsharknews.com/web-3.0-what-is-it-go...
Absolutely nothing according to Elon Musk. But you will be hearing a lot more about it as the year progresses, so what is Web 3.0 and should you really care?
January 27, 2022, 09:03 AM
https://www.provideocoalition.com/flim-the-worlds-...
A platform made by and for creatives, Flim is a smart search engine of movie, music video, advertising and now TV series stills, a search location which is very useful for all creatives looking for inspiration. Whether you’re looking for images from movies, documentaries, advertisings, music videos and recently TV series, Flim is the place [...]Read More... from Flim: the world’s largest image database now includes TV series
January 27, 2022, 09:03 AM
https://postperspective.com/sundance-2022-editor-l...
The film Emergency, which premiered at this year’s Sundance, is a dark comedy/thriller about two best friends who are thesis students attending a mostly white university. Kunle is focused on his academics, while Sean is more laid back and focused on one last night of partying before they graduate. Kunle and Sean, Continue reading → January 26, 2022 The post Sundance 2022: Lam Nguyen on Editing Comedy/Thriller Emergency appeared first on postPerspective.
January 27, 2022, 09:02 AM
https://deadline.com/2022/01/dont-look-up-adam-mck...
It stands to reason that a filmmaker reared in comedy improv, Adam McKay, would partner up with an editor, Hank Corwin, who is familiar with cutting for directors known for their impromptu style.
January 26, 2022, 08:54 AM
https://movieweb.com/spider-man-no-way-home-vfx-te...
When Marvel Studios and Sony released the first full trailer for Spider-Man: No Way Home, fans immediately picked apart every frame of footage to find where the trailer had been manipulated in order to fool them into thinking that Tom Holland was the only Spider-Man in the movie. This led to several moments being called out as being doctored, including a blink and you miss it clip that appeared in the international trailer, showing Rhys Ifans’ Lizard being punched by an invisible assailant dur...
January 26, 2022, 08:53 AM
https://www.slashfilm.com/746676/shang-chi-vfx-tea...
"Shang-Chi and the Legend of the Ten Rings" almost feels like several movies smashed into one, a statement that reflects the complicated comic book history of the character just as much as it accurately portrays the sheer scope and scale of the visual effects on display. At any given point in the film, viewers can expect to see sweeping battlefield vistas in the epic prologue that kicks off the action, a breathtaking scaffold fight that just might stand out as one of Marvel's most effective and ...
January 25, 2022, 08:55 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
STUDIO CITY, CA - The Motion Picture Sound Editors (mpse.org) have announced the nominees for their 69th Annual MPSE Golden Reel Awards. Nominees represent the work of some of the world’s most talented sound artists and their contributions to the past year’s top feature film, television, animation, computer entertainment and student productions.
January 25, 2022, 08:53 AM
https://www.goldderby.com/feature/sean-walker-vfx-...
“We’re always wanting to be the best, to strive to push everything as far as we can,” visual effects supervisor Sean Walker says proudly about his team of artisans that have been at the forefront of visual effects for nearly three decades. “Weta Digital is very unique in that we are a house on the edge of the world and we have an insanely talented crew.” Watch our exclusive video interview above.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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