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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

This is revolutionary: The world's first liquid l

January 15, 2020, 02:09 PM

https://www.redsharknews.com/production/item/6913-...

The coming revolution in holographic video technology has been given a boost with the unique approach of Spanish start-up Wooptix. It has presented the first single lens light field camera capable of capturing light field video in real time and it does so using a liquid lens. Lightfieldlight field technologyWooptixSEBI

Reallusion releases Digital Human Shader for realt

January 7, 2020, 02:10 PM

https://www.provideocoalition.com/a-new-digital-hu...

Reallusion continues to make it more accessible to create realistic digital humans for real-time 3D animation with the new Digital Human Shader for iClone 7.7 and Character Creator 3.2. Character...

Boutique VFX & design studio Shape+Light opens in

January 3, 2020, 03:36 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Shape+Light (www.shapeandlight.com) is a new boutique visual effects and design studio in Los Angeles. Led by managing and creative director Rob Trent and executive producer Cara Lehr, the studio will serve the global advertising industry, providing high-end VFX, design and finishing services. Shape+Light has already delivered work for Nike, Apple, Gatorade, Lexus and Proctor & Gamble.

VFX pipeline trends for 2020

January 3, 2020, 03:36 PM

https://postperspective.com/2020-vfx-pipeline-tren...

By Simon Robinson A new year, more trends — some burgeoning, and others that have been dominating industry discussions for a while. Underpinning each is the common sentiment that 2020 seems especially geared toward streamlining artist workflows, more so than ever before. There’s an increasing push for efficiency; not just through hardware but through better business practices and solutions to throughput problems. Continue reading → January 2, 2020 The post VFX pipeline trends for 2...

Four Visual Trends That Will Shape Content in 2020

December 20, 2019, 01:38 PM

https://www.studiodaily.com/2019/12/four-visual-tr...

As each year comes to a close, creative professionals often reflect on the styles that dominated the past 12 months while looking ahead to what’s to come. As a stock media provider, Storyblocks has a unique insight into where content creators are headed next. We conduct annual research into topics, themes, and visuals our users […] The post Four Visual Trends That Will Shape Content in 2020 appeared first on Studio Daily.

Blog: How To Break Into VFX

November 16, 2019, 02:13 PM

http://www.postmagazine.com/Post-Blog/2019/Novembe...

NEW YORK CITY - Foundry (foundry.com) and AccessVFX (accessvfx.org) teamed up with the School of Visual Arts (SVA) to present a networking event designed to provide students with advice on how to break into the visual effects industry. The two-hour event took place at SVA in NYC and featured a number of speakers, as well as a classroom full of students pursuing careers in VFX. Foundry's Sarah Leavitt kicked off the event. She serves as head of education and creative services at Fo...

How Gradient Effects De-Aged John Goodman for The

October 23, 2019, 01:07 PM

https://www.studiodaily.com/2019/10/gradient-effec...

The first season of HBO’s The Righteous Gemstones, a comedy about a family of televangelists presided over by Eli Gemstone (John Goodman), pivoted around a mid-season flashback episode, “Interlude,” that turned the clock back to 1989 in order to flesh out the background behind the show’s character dynamics. To achieve the de-aging effects that made Goodman look […] The post How Gradient Effects De-Aged John Goodman for The Righteous Gemstones appeared first on Studio Daily.

How to Create Text Effects and Animations in Premi

September 21, 2019, 03:58 PM

https://www.premiumbeat.com/blog/text-effect-premi...

When you're getting into text effects and animations, workspace is important. Master your motion graphics workflow in Adobe Premiere Pro with these tips.

Watch a whole ton of official ‘Endgame’ VFX br

September 7, 2019, 10:47 AM

https://beforesandafters.com/2019/09/07/watch-a-wh...

Now that the home entertainment release of Avengers: Endgame has occurred, many VFX studios, and Marvel itself, have been able to post visual effects breakdown reels of their work from the film.

From Brazil to the UK: an artist’s journey into

September 3, 2019, 05:48 AM

https://beforesandafters.com/2019/09/03/from-brazi...

Here’s a story of one artist, Roni Rodrigues started out in the film industry in Brazil, had a life change that brought him to the UK, and who eventually moved into visual effects.

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