It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 25, 2019, 09:06 AM
https://postperspective.com/the-umbrella-academys-...
By Iain Blair If all ambitious TV shows with a ton of visual effects aspire to be cinematic, then Netflix’s The Umbrella Academy has to be the gold standard. The acclaimed sci-fi, superhero, adventure mash-up was just Emmy-nominated for its season-ending episode “The White Violin,” which showcased a full range of spectacular VFX. Continue reading → July 25, 2019 The post The Umbrella Academy‘s Emmy-nominated VFX supe Everett Burrell appeared first on postPerspective.
July 25, 2019, 09:06 AM
https://www.screeneditors.com.au/miff-editing-mast...
July 23, 2019, 05:43 AM
https://beforesandafters.com/2019/07/23/stranger-t...
The creature effects in the Duffer Brothers’ Stranger Things 3 hit new levels this season, with several incarnations of an otherworldly monster brought to life in CG by the Netflix show’s visual effects crew.
July 19, 2019, 06:15 AM
https://variety.com/2019/biz/news/lion-king-vfx-ro...
Rob Legato, VFX supervisor for "The Lion King" and "The Addams Family" co-director Conrad Vernon added to View Conference speakers.
July 18, 2019, 05:50 AM
https://beforesandafters.com/2019/07/18/han-yang-o...
When 3D artist Han Yang posted work in progress stills and then a trailer for his personal project, The Lander, he received much acclaim for the look of this Predator-inspired short. But, in addition, he captivated viewers by explaining his mix of V-Ray and Unreal Engine in lighting and rendering the film.
July 16, 2019, 06:12 AM
https://beforesandafters.com/2019/07/15/score-extr...
RebusFarm render service offers cloud rendering for a huge range of 3D software and renderers. befores & afters readers can also benefit from an exclusive special: 50 free trial RenderPoints!
July 10, 2019, 06:32 AM
https://beforesandafters.com/2019/07/10/siggraph-c...
Mikki Rose, the SIGGRAPH 2019 conference chair, has had a long association with SIGGRAPH, both as a member of the VFX and animation community (she’s currently a senior fur technical director at Blue Sky Studios) and as a regular conference volunteer.
July 3, 2019, 05:44 AM
http://www.cgchannel.com/2019/07/get-allan-mckays-...
With the box-office-busting Avengers: Endgame due for its digital release later this month, VFX supervisor Allan McKay has released a new free VFX training course based around the movie’s antihero.
July 2, 2019, 06:11 AM
https://www.rotoscopers.com/2019/07/02/174-new-ani...
The Academy of Motion Picture Arts & Sciences has invited a total of 842 artists, filmmakers, and executives comprising of 58 counties to become part of the organization.
June 24, 2019, 09:52 AM
https://www.provideocoalition.com/after-effects-cl...
In the previous post, we focused on the Hue/Saturation effect – but at the end, we briefly mentioned the Color Balance HLS effect which would seem to cover the same territory. Well, it actually has quite a different look. The following movie compares the two head-to-head: Since we created those movies, a new effect appeared that... The post After Effects Classic Course: Hue/Saturation vs. Color Balance HLS appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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