It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 23, 2018, 09:48 AM
http://cinefex.com/blog/solo-a-fusion-of-creativit...
As senior vice president, executive creative director and head of Industrial Light & Magic, Rob Bredow gets involved with every project that passes through ILM’s doors. During his keynote presentation at VIEW Conference 2018 today, he shared his experiences as visual effects supervisor and co-producer of Solo: A Star Wars Story. Cinefex sat down with Rob in the Turin sunshine after his presentation to talk more about his adventure in a galaxy far, far away.
October 22, 2018, 08:52 AM
http://designingsound.org/2018/10/22/making-retro-...
This is a guest post by Leonard J. Paul, a composer, sound designer and educator who first got his start working on Sega Genesis back in the ’90s. You can reach him at the School of Video Game Audio (SoVGA.com) or on Twitter @VideoGameAudio at any time. In this four-part article series I’ll be going […]
October 22, 2018, 08:51 AM
http://www.avidblogs.com/sound-designing-and-mixin...
The post Sound Designing and Mixing Immersive Audio for MEGAN appeared first on Avid Blogs.
October 22, 2018, 08:51 AM
https://filmschoolrejects.com/10-gnarliest-practic...
A film is dated the moment it is released. To exist out of time is an impossibility. You can spot the seams of any “classic” if you watch with a modern eye. You may allow yourself a chuckle or even an eye-roll. That is not to say that the film has failed you, or that it is not worth your attention. It’s just old. Don’t worry, that baller CGI-fest you’re currently praising will sink into history as well. Now, some movies can surprise you. When it comes to the horror genre, more often th...
October 22, 2018, 04:35 AM
https://www.moviemaker.com/archives/moviemaking/ed...
What every helmer needs from an editor is "great taste, a sense of timing," and someone who "accentuates the poetry of your story by creating an associative flow," says Beautiful Boy writer-director Felix Van Groeningen.
October 19, 2018, 12:10 PM
https://www.provideocoalition.com/aotc-goldenberg-...
William Goldenberg, ACE, won Oscars for editing Zero Dark Thirty (with Dylan Tichenor, ACE) and for Argo. He received additional Oscar nominations and ACE Eddies for Seabiscuit, The Insider and The Imitation Game. His filmography also includes editing Concussion, Unbroken, Transformers: Age of Extinction, and National Treasure among many others.
October 19, 2018, 12:10 PM
http://manhattaneditworkshop.blogspot.com/2018/10/...
MEWShop proudly announces that television & film editor Tim Streeto, ACE, will join our November/December 2018 Six Week Intensive.Tim Streeto, ACE is a film and television editor whose recent credits include Netflix’s Maniac, Amazon’s The Marvelous Mrs. Maisel, Director Marc Webb’s The Only Living Boy in New York, HBO's series Vinyl, WeTV's South of Hell, the Emmy-winning Boardwalk Empire, NBC’s Crossbones, and Noah Baumbach's acclaimed feature films Frances Ha, Greenberg, a...
October 19, 2018, 09:28 AM
http://www.studiodaily.com/2018/10/five-questions-...
When Zero VFX CEO Brian Drewes co-founded the company in early 2010, he didn’t just gain entrée to the visual-effects arena — he also worked to transform it, launching Zync, a pioneering provider of cloud rendering services, in 2011. Google purchased Zync in 2014, freeing Drewes up to focus on broadening the purview of Zero […] The post Five Questions: Zero VFX CEO Brian Drewes appeared first on Studio Daily.
October 19, 2018, 05:38 AM
http://saeditores.org/Novedades/La-SAE-entregara-e...
La SAE entregará el Premio al Mejor Montaje en el 16˚ Festival Nacional de Cine de Tandil, que se llevará a cabo entre el 19 y el 26 de octubre dicha ciudad de la provincia de Buenos Aires. El jurado, integrado por María Astrauskas, Martín Senderowicz (SAE) y Santiago Parysow (SAE), elegirá al ganador entre las películas argentinas de la Competencia Oficial de Largometrajes.
October 19, 2018, 05:37 AM
http://designingsound.org/2018/10/19/interview-wit...
In this interview, Ben Minto, who worked as sound director on Star Wars Battlefront, tells about what sets Dice apart from the typical triple A studios and what his responsibilities are as a sound director. He also talks more generally about his sound design process; for example how he uses sound libraries to create new […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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