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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Narcos (2015)

September 22, 2015, 05:02 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Silver or lead? You decide.” — Pablo Escobar ...

Primacoustic Paintables London room kits now avail

September 22, 2015, 05:01 AM

http://www.audiomediainternational.com/new-gear/pr...

Primacoustic has revealed that the Paintables versions of its London 8 and London 10 room kits – designed to provide everything you need to turn any room into a great sounding studio or home theatre – are now shipping.

Ornatrix V4 Brushing Improvements for 3ds Max

September 22, 2015, 05:00 AM

http://www.cgmeetup.net/home/ornatrix-v4-brushing-...

Upcoming Ornatrix V4 release (currently in Beta) holds a lot of improvements. In this video we quickly glance at the brushing improvements added in the latest build.

resolution 72, Avid Pan & Zoom

September 22, 2015, 05:00 AM

https://blogs.creativecow.net/blog/13884/resolutio...

I have been seeing video in the Avid as 72 pixels per inch (Bitmap not vector talking here)? If this Video was printed, the 72 is basically not 200, where if the graphic had 200 pixels per inch, then there would be rounder shapes of more detail included, while 72 has less detail.

Avid Field Motion column is a key for file-based c

September 22, 2015, 04:59 AM

https://blogs.creativecow.net/blog/13879/avid-fiel...

Duration and horizontal lines of the source preserved when going from 29.97 fps to 23.976 frames per second.

The Ultimate Post-Production Giveaway – Win 100

September 21, 2015, 04:51 PM

http://www.premiumbeat.com/blog/post-production-gi...

100 After Effects templates, a Wacom tablet, $500 in PremiumBeat music, video editing keyboard and more. Win it all in the Ultimate Post-Production Giveaway!

After Effects Hidden Gems Weekly: Preserve Frame R

September 21, 2015, 04:51 PM

http://www.provideocoalition.com/after-effects-hid...

After Effects is a very logical program if you know it works underneath the hood, and a baffling mystery if you don’t. One example of this is the subject of frame rates: Normally, the last comp in a chain determines what frame rate will be used by all the precomps, and this can be overridden again the Render Settings. But what if you really, really need to lock down a precomp’s frame rate, because you’re creating stop motion, have a mask tracked to every frame of footage, etc.? The sec...

Post Production workflow for feature film "War Ro

September 21, 2015, 04:51 PM

http://www.provideocoalition.com/post-production-w...

This is the second in a three part series on the post production workflow of the Number 1 movie, "War Room." This part details the DI conform, color grade and DCP creation.

Add 3D text and particles to tracked objects with

September 21, 2015, 04:51 PM

http://www.fcp.co/final-cut-pro/articles/1720-add-...

One great thing about the recent FCP EXPO was the ability to talk directly with software developers in the FCPX ecosystem. We managed to get Roger Bolton from Coremelt cornered in a cubicle where he told us more about the recently released DriveX.

Apple Motion 5 – 101: Lesson 12 – The H.U.D

September 21, 2015, 04:51 PM

http://news.doddleme.com/blogs/post-production/app...

The H.U.D in Apple Motion 5 is one of my favorite “Best Kept Secrets.” Many people don’t know that it’s there, but a simple press of F7 will quickly reveal it, and will also have motion graphics designers closing it, because they don’t understand it, or how it works, but to be honest, it’s a simple tool that will help speed up your workflow immensely.

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