It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 25, 2017, 09:12 AM
https://www.premiumbeat.com/blog/16-free-light-dus...
In this Adobe After Effects tutorial, learn how to get the most out of RocketStock's Free 4K Volumetric Light and Dust Overlays.
July 25, 2017, 09:11 AM
http://alex4d.com/notes/item/bbc-evaluating-ios-ar...
The BBC is looking for an AR agency to collaborate in developing a mobile application to augment the launch of a big new TV series in Spring 2018: We are looking to create an Augmented Reality (AR) experience in association with the Civilisations television broadcast (Spring 2018). We’d like a mobile application that allows the audience to bring objects from the programme into their homes - we’d like to do this using through-camera, marker less tracking to let the audience inspect an...
July 25, 2017, 09:11 AM
http://www.artofvfx.com/spider-man-homecoming-domi...
Dominik Zimmerle began his career in visual effects in 2007 at Trixter. He has worked on many projects such as THE AVENGERS, CLOUD ATLAS, IRON MAN 3 and AVENGERS: AGE OF ULTRON. As a VFX Supervisor, he took care of the effects of ANT-MAN and INDEPENDENCE DAY: RESURGENCE.
July 25, 2017, 06:50 AM
http://theangryvideoguy.com/index.php/2017/07/25/c...
I’m going to say right away, you owe it to yourself to own this script. It is really useful and I like the ability to use your own images for the toolbar icons to create a totally customize-able UI for yourself, and per project if you so desire. This could be ideal for teams when bringing in freelancers and integrating them into a specific workflow quickly.
#adobe after effects#scripts#aescriptsJuly 24, 2017, 09:47 AM
http://www.artofvfx.com/spider-man-homecoming-bren...
Kevin Souls has over 20 years of experience in the visual effects. He worked for many years at Sony Pictures Imageworks on films such as CATS & DOGS, SUPERMAN RETURNS, WATCHMEN, HANCOCK and several SPIDER-MAN.
July 24, 2017, 05:52 AM
https://filmmakeriq.com/2017/07/the-top-fiq-points...
Learning After Effects is a daunting challenge – it’s not quite a Non-Linear Editor, but also not quite Photoshop. In trying to explain or teach After Effects I look back at my own history of learning the program.
July 21, 2017, 09:29 AM
http://blogs.adobe.com/creativecloud/virtual-reali...
Sign up to get exclusive news, product release news, tutorials, best practices and more — exclusive for Adobe business customers. “Designers stand between revolutions and everyday life. They’re able to grasp momentous changes in technology, science, and society and convert those changes into objects and ideas that people can understand.” –Paola Antonelli In September 2013, Stanford researchers conducted an unusual experiment. Outfitting volunteers with virtual reality (VR) hea...
July 21, 2017, 09:29 AM
http://www.artofvfx.com/spider-man-homecoming-lou-...
In 2014, Lou Pecora explained to us about the work of Digital Domain on X-MEN: DAYS OF FUTURE PAST. He speaks to us today about his work on SPIDER-MAN: HOMECOMING.
July 21, 2017, 06:24 AM
https://www.rocketstock.com/blog/stitch-360-videos...
The most intimidating factor for people new to 360° video is “how to stitch all of the footage together?” Just the term “stitching” sounds labor intensive. Luckily for us, this isn’t the case at all. Stitching software has come a long way in just a few short years, and companies like Kolor have really focused on streamlining the process. In this tutorial, we are going to learn how to stitch 360° video with AutoPano Video Pro and hopefully provide you with an understanding of the step...
July 21, 2017, 06:24 AM
http://cinefex.com/blog/siggraph-2017-production-s...
The SIGGRAPH 2017 Production Sessions program provides a platform for creative professionals to explain their processes and techniques in the fields of computer animation, visual effects, games, virtual reality, themed entertainment, and the software applications used by the artists who create them. Each presentation ends with a Q&A session that allows attendees to quiz the experts.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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