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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The AES Returns to NYC for 139th AES Convention

December 12, 2014, 02:50 PM

http://soundandpicture.com/2014/12/audio-engineeri...

New York, NY — The Audio Engineering Society is set to bring the AES139 International Convention to the Jacob K. Javits Center in New York City, NY, October 29 – November 1, 2015 (Conference Oct. 29 – Nov. 1, Exhibits Oct. 30 – Nov. 1).

Studio Designer Hanson Hsu On My Latest Inner Circ

December 12, 2014, 02:49 PM

http://bobbyowsinski.blogspot.ca/2014/12/studio-de...

On my latest Inner Circle Podcast you'll hear innovative studio designer Hanson Hsu describe how challenging some of the long-held acoustic assumptions in studio design has lead to a new way to measure room performance and the use of some new design materials as well.

How Composer Alex Ebert Tuned Into A Most Violent

December 11, 2014, 07:49 PM

http://blogs.indiewire.com/thompsononhollywood/how...

Alex Ebert, who's the frontman of an indie folkband called Edward Sharpe and the Magnetic Zeros, won a surprise Golden Globe in January for scoring "All Is Lost," taking to the stage with his messily coiffed head of hair, and smoothly diffident demeanor. "All Is Lost" was his first collaboration with director J.C. Chandor...

Beau Borders Is Not Your Average Film Mixer

December 11, 2014, 01:56 PM

http://soundworkscollection.com/news/-beau-borders...

Beau is a Sound Mix­ing Acad­emy Award nom­i­nee for his work on Lone Sur­vivor. He has col­lab­o­rated on huge, block­buster films like Titanic, Lord of the Rings, and Trans­form­ers. And he also dri­ves badass cars (like his BMW M3) at crazy high speeds, boast­ing con­sis­tent National and US Majors Tour wins in the highly com­pet­i­tive For­mula Mazda series.

Psychology of 10 Years of Sound in World of Warcra

December 11, 2014, 06:47 AM

http://designingsound.org/2014/12/psychology-of-10...

For this month’s topic of “Psychoacoustics” I thought I’d stretch the definition a bit and finally write an article I have wanted to for a while now, and discuss the sound design of World of Warcraft.

HOBO Handles Sound Design for Poo-Pourri

December 11, 2014, 06:46 AM

http://soundandpicture.com/2014/12/hobo-handles-so...

New York, NY – Online ads offer both brands and creative teams the opportunity to take artistic risks beyond the confines of broadcast television — for evidence, HOBO President Howard Bowler points to the company’s recent online work for Poo-Pourri, Zipcar and Hello Flo.

Music for Film and Television – Source Music and

December 11, 2014, 06:45 AM

http://masteringfilm.com/music-for-film-and-televi...

SONGS IN MOVIES Songs have been a big part of the movie-making process ever since the beginning of “talkies,” with Al Jolson singing “My Mammy” in The Jazz Singer (1927)—a prime example of an on-camera featured song in a movie. Songs have always been an important part of entertainment, and their attraction, interest, and “pull”...

Best Of 2014: The 15 Best Movie Soundtracks Of 201

December 10, 2014, 01:52 PM

http://blogs.indiewire.com/theplaylist/best-of-201...

Last week we kicked off our end-of-year coverage (all of which to date you can find here) in fine style by celebrating our 15 favorite scores of the year, but that’s only half the story in regards film music. Just as integral to our enjoyment, and often even more so to a film’s profile (as an ancillary, well-curated selection of earwormy tracks can be a highly marketable extra), is the soundtrack.

Audio-only Cross-fades in Final Cut Pro X

December 10, 2014, 10:37 AM

http://provideocoalition.com/mspencer/story/audio-...

    How do you cross-fade just the audio portion of an edit point? That's the question we tackle on this week's episode of MacBreak Studio. I start by showing Steve Martin from Ripple Training a simple storyline of clips, where I want to audio...

Audio only crossfades & RED workflow in FCPX and e

December 10, 2014, 10:37 AM

http://www.fcp.co/final-cut-pro/tutorials/1567-aud...

A complete mix of tutorials from Ripple this week. Heavyweight RED workflow from Steve and audio crossfades and exploding text with Motion from Mark.

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