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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Expanding your Editorial Toolkit - Boris Red 5.5

August 29, 2015, 01:04 PM

http://www.provideocoalition.com/expanding-your-ed...

Are you an Editor who finds After Effects to be a bit too daunting?  There are other tools out there to help take your work to the next level, and Boris FX's RED 5.5 is definately one of them!

Customizing the MIDI Editor

August 29, 2015, 01:04 PM

http://reaperblog.net/2015/08/customizing-the-midi...

In this video I show all the details of my custom MIDI editor toolbar which helps me edit MIDI with greater efficiency.

Premiere Quicktip: Zoom while dragging

August 29, 2015, 04:25 AM

http://www.provideocoalition.com/premiere-quickste...

While direct manipulation of UI elements may not favored by NLE power users, sometimes it is faster. One example is is moving a short clip or still using the =/- keys to zoom the timeline during the move. 

Wartime Geisel

August 29, 2015, 04:25 AM

http://animationguildblog.blogspot.ca/2015/08/wart...

The work of Dr. Seuss while he was on detached duty, away from being Dr. Seuss.

EDA PRESENTA #4 / Relámpago en la oscuridad

August 28, 2015, 12:33 PM

http://www.edaeditores.org/eda-presenta-4-relampag...

Se realizó con éxito una nueva función mensual del ciclo EDA PRESENTA. Disfrutamos de nuestro cine que es tan hermoso, además de una suculenta charla sobre el montaje de Relámpago en la oscuridad luego nos quedamos brindando con mucha alegría hasta tarde. En este tercer encuentro se proyectó Relámpago en la oscuridad, de Germán Fernández y Pablo Montllau. A […]

Week in Premiere 8/28/15

August 28, 2015, 09:58 AM

http://www.premierebro.com/weekinpr/week-in-premie...

Check out this week's Premiere Pro news and tutorials in #WeekinPr, a weekly digest of trending Premiere Pro Tweets. This Week in Premiere: •Premiere Pro "Now You Knows" •Legalizing color with the Video Limiter effect •Two interviews: the origin and future of Premiere Pro •Smosh and the Creative Cloud suite

#premiere pro#tutorials#news#tips#week in premiere
Tips For Keeping A Long Dialogue Scene Visually In

August 28, 2015, 09:24 AM

http://www.premiumbeat.com/blog/tips-keeping-long-...

No matter how great your writing might be, after a couple of minutes just about any heavy dialogue scene can feel boring. Here’s how to keep things interesting on those longer takes.

Crafting the Killer Chase: The Man From U.N.C.L.E.

August 28, 2015, 05:08 AM

http://www.fxguide.com/featured/crafting-the-kille...

Guy Ritchie is one director who doesn’t mind the odd chase sequence, and in The Man From U.N.C.L.E. he serves up three big ones. In 1963 Berlin, CIA agent Napoleon Solo (Henry Cavill) and unwitting mechanic Gaby Teller (Alicia Vikander) are pursued - in car and on foot - by KGB operative Illya Kuryakin (Armie Hammer) before escaping over the Berlin Wall.

Today, we’re announcing the RedShark Awards —

August 28, 2015, 05:07 AM

http://www.redsharknews.com/business/item/2841-tod...

Just in time for IBC in Amsterdam, we’re announcing the RedShark awards. They’re different. Here’s why. AwardsIBCNABIBC 2015RedSharkRedShark Awards

favorite features in CC versions of After Effects:

August 28, 2015, 05:07 AM

http://blogs.adobe.com/aftereffects/2015/08/favori...

In the After Effects CC (12.2) update, we extended the output file name templates feature to include output paths. As part of setting up an output module, you can specify a folder in which to place the output file(s), and this can be a folder that After Effects will automatically create at output time. This helps to keep your outputs organized, and it really helps to prevent you from doing something like accidentally dumping an image sequence onto your desktop because you forgot to point th...

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