It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 17, 2015, 04:51 AM
http://www.provideocoalition.com/art-of-the-cut-wi...
On this installment of Art of the Cut, Sidney Wolinsky talks about cutting some of the top TV shows on television. With 33 episodes of “The Sopranos” plus episodes of “House of Cards,” “Boardwalk Empire,” “Walking Dead,” and “Sons of Anarchy,” not to mention his most recent projects that include “Extant,” “Strain,” “Ray Donovan” and “Power” Wolinsky has plenty to talk about.
August 17, 2015, 04:51 AM
http://alex4d.com/notes/item/how-non-pros-see-fcpx
As most video editing applications are bought by non-professionals, developers need to consider their needs. When I say ‘non-professionals’ I mean people that don’t say that a good proportion of their income comes from being a video editor - even if they use video editing to tell stories. To get some perspective on how others see Final Cut Pro X, Adobe Premiere and iMovie, here are a couple of YouTube videos. In the first GeekaWhat compares NLEs from the point of view of someone who...
August 17, 2015, 04:51 AM
http://animationguildblog.blogspot.ca/2015/08/sito...
TAG President Emeritus Tom Sito was at D23 in Anaheim today. He relates...
August 17, 2015, 04:51 AM
http://animationguildblog.blogspot.ca/2015/08/the-...
The swallowing of entertainment companies by other entertainment companies happens in the Middle Kingdom, just as it does stateside: As News Corporation buys Blue Sky Studios, so Disney gobbles up Pixar, Marvel and Lucasfilms.
August 17, 2015, 04:50 AM
http://www.3dvf.com/actualite-14140-siggraph-2015-...
The company Xsens , specialized in motion capture systems without a camera, took advantage of SIGGRAPH to present its latest innovation: the capture of the movements of a person to be movable, using a tablet (probably a Microsoft Surface , judging by the detachable keyboard).
August 16, 2015, 12:39 PM
http://saeditores.org/Novedades/El-Clan-por-Alejan...
Una síntesis personal de la edición por sus artífices.
August 16, 2015, 07:23 AM
http://www.provideocoalition.com/media-composer-10...
In this lesson, Kevin P McAuliffe continues his in-depth look at Transcoding in Avid Media Composer. Now that we've talked about everything you "don't see" when you Link To your footage, let's talk about the actual Transcoding process itself. In this lesson, Kevin talks about basic transcoding of Linked To HD material!
August 16, 2015, 07:23 AM
http://soundworkscollection.com/videos/the-music-o...
In this exclusive SoundWorks Collection sound profile Jon Burlingame talks with Composer Joe Trapanese about his work on the film Straight Outta Compton.
August 15, 2015, 02:13 PM
http://saeditores.org/Novedades/Workshop-en-la-Seg...
En el marco de la Segunda Bienal de Diseño realizada en la FADU, UBA, el pasado 10 de agosto se llevó a cabo el workshop El montaje y su oficio hoy, del que participaron Carla Muzykantski (SAE) y Ernesto Felder (SAE), ambos egresados de la carrera de Diseño de Imagen y Sonido de la UBA. Organizado por la Cátedra Szmukler de Montaje, contó también con la presencia de Mariano Saban (EDA) y Ezequiel Yoffe (EDA) y la coordinación Adrián Szmukler y Leo Zaffaroni, titular y JTP de la Cáte...
August 15, 2015, 02:12 PM
http://vfxserbia.com/2015/08/15/mercedes-benz-vans...
Ever heard of the Anniversary Festival? For the Mercedes Benz Sprinter Edition Model, Hamburg creative agency LLR wanted to build the vehicle a monument. As a real workhorse. Directed by Juergen Nerger, Infected took over the complete production. The claim ‘Everybody parties, only one is driving’ was turned into a 69 second tribute to the car, created at a music-festival with 20.000 visitors, all shown in one excessive bullet time moment.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.