It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 2, 2015, 09:21 AM
http://www.digitalspy.co.uk/movies/news/a649986/ho...
One of Hollywood's greatest special effects artists has retired, citing CGI as one of the reasons.
June 2, 2015, 09:21 AM
http://www.postmagazine.com/Publications/Post-Maga...
SYDNEY — Mad Max: Fury Road, the new feature from Warner Bros. Pictures and Village Roadshow Pictures, marks the return of director George Miller, who created the original and hugely-popular Mad Max/Road Warrior films and helped launch the career of Mel Gibson. The latest release stars Tom Hardy as Max Rockatansky, who is haunted by his turbulent past, and wanders the barren landscape on his own, trying to survive.
June 2, 2015, 09:20 AM
http://www.creativebloq.com/3d/ilm-guru-creating-p...
This year, Industrial Light and Magic (ILM) is celebrating 40 years of VFX goodness. So we decided to catch up with some of the studio's veterans, to find out their thoughts on the last few decades, and discover what they're up to know.
June 2, 2015, 09:20 AM
http://www.artofvfx.com/?p=12236
Fido have just released a first VFX breakdown about their work on KUNG FURY. This one is focusing on “Arcade Street”
June 2, 2015, 03:49 AM
http://cinescopophilia.com/fusefx-visual-effects-f...
Burbank-headquartered FuseFX has been providing visual effects for “Salem” since the drama about witches in colonial Massachusetts made its debut last year as WGN America’s first original series. Currently in the midst of the show’s 13-episode second season, the studio’s team of artists are hard at work, helping to conjure a 17th century world riven with black magic, intrigue and strife. The series is produced by Fox 21 Television Studios.
June 1, 2015, 04:19 PM
http://tracking.feedpress.it/link/9766/1190756
Here at NewBlueFX, we’ve been hard at work over the past several months redesigning our popular 3D titling tool for video editors like you. You asked, we listened, and with the help of our developers, beta testers, marketers, and support team - we crafted 20+ new features to help improve your design experience with the new Titler Pro 4.
June 1, 2015, 04:18 PM
http://collider.com/mad-max-fury-road-vfx-comparis...
MAD MAX: FURY ROAD Before-and-After VFX Images Highlight the Movie’s Excellent Effects
June 1, 2015, 01:03 PM
http://cgvilla.com/2015/06/01/dawn-of-the-stuff-ma...
Alf Lovvold shared the speedy-gonzales making of / breakdown of the Dawn of the.. stuff. project! Thanks for watching, sharing and supporting the project!
June 1, 2015, 09:25 AM
http://www.premiumbeat.com/blog/how-to-create-a-re...
Get inspired by images from NASA and build a realistic 3D Nebula in After Effects using both Trapcode and HitFilm.
May 31, 2015, 12:58 PM
http://www.artofvfx.com/?p=12220
Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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