It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 30, 2015, 06:16 AM
http://www.fxguide.com/featured/a-graphic-tale-the...
When George Miller looked to return to the world of Mad Max with his new Fury Road, the director began a lengthy development period that saw several false starts but ultimately culminated in a six-month long shoot in the Namibian desert. Here, DOP John Seale would use multiple digital cameras to capture incredible practical stunts with more than 150 vehicles conceived by production designer Colin Gibson, then rigged, driven and crashed thanks to the efforts of key crew including special effects ...
May 30, 2015, 06:13 AM
http://www.artofvfx.com/?p=12178
Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.
May 28, 2015, 04:59 AM
http://manhattaneditworkshop.blogspot.com/2015/05/...
Manhattan Edit Workshop presents: Sight, Sound & Story - VFX Artist Jeff Wozniak on "The Avengers." For more information on "Sight, Sound & Story" go to www.SightSoundandStory.com.
May 27, 2015, 03:59 AM
http://magazine.artstation.com/2015/04/art-master-...
A cloudy and calm Saturday morning in Paris and an event of epic magnitude is about to start. Palais Brongniart opens its gates to receive the creative crowd of students and industry professionals. The expectations are high.
May 26, 2015, 04:25 PM
http://www.hitfix.com/motion-captured/20-years-ago...
Twenty years ago today, Universal released "Casper," and it did okay. It was not a critical hit, and it was not a box-office sensation. But in its way, "Casper" was revolutionary, and at the time, I was absolutely fascinated by the movie and, more specifically, by the ILM work in the film.
May 26, 2015, 09:26 AM
http://www.artofvfx.com/?p=12170
Really cool Digital Human created by the korean studio Dexter Studios...
May 25, 2015, 09:25 AM
http://9gag.com/gag/adYvKmj?ref=fb.s
Matte paintings Used In The Original Star Wars Trilogy Totally Out Beat CGI Today - 9GAG has the best funny pics, GIFs, videos, memes, cute, wtf, geeky, cosplay photos on the web. We are your best source of happiness and awesomeness.
May 25, 2015, 09:23 AM
http://www.artofvfx.com/?p=12138
Craig Hammack begins his career in visual effects at ILM in 1997. He works on projects such as TITANIC, STAR WARS: EPISODE III – REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST or STAR TREK. He then became VFX Supervisor on THE LAST AIRBENDER and then supervise the effects for RED TAILS, BATTLESHIP and NOW YOU SEE ME.
May 25, 2015, 09:23 AM
http://www.artofvfx.com/?p=12150
Animal Logic have released this nice VFX breakdown about their invisible work on THE PAINTED VEIL (click on the picture below to watch it)...
May 25, 2015, 09:17 AM
http://3dyee.com/time-warp-project-gfx/
If you ever wondered why there are so many accidents in the world, you would always find an answer that would satisfy you. Car accidents are something that is very often the case, and today are much more common than ever.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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