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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

We’ll Never Have Paris Editor Mollie Goldstein

March 10, 2014, 02:03 PM

http://filmmakermagazine.com/84886-the-women-of-su...

Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of pieces highlighting women directors at SXSW. In this email interview, she talks with the editor of the Narrative Spotlight film, We’ll Never Have Paris, Mollie Goldstein.

Update: RE:Vision Effects DE:Flicker

March 10, 2014, 09:49 AM

http://www.toolfarm.com/blog/entry/update_revision...

RE:Vision Effects DE:Flicker, released in January 2014, is designed to smooth out those annoying flicker and artifacts when shooting high frame rate or timelapse video.

e-Postprod Bars for FCP 7/X, Motion, Premiere Pro

March 10, 2014, 09:49 AM

http://www.toolfarm.com/blog/entry/new_e_postprod_...

Bars works natively inside Final Cut Pro X, Premiere Pro, After Affects and Motion. To download a free trial, download the free FxFactory plug-in from Noise Industries. Download FxFactory on our Demos Page.

Larry Jordan’s Digital Production BuZZ/Moviola p

March 10, 2014, 09:48 AM

http://www.creativeplanetnetwork.com/the_wire/2014...

Burbank, CA (March 10 , 2014) – Larry Jordan & Associates, Inc. and the Digital Production BuZZ (www.digitalproductionbuzz.com) announced today it has partnered with Moviola to bring video broadcasts to the Digital Production BuZZ at NAB 2014 from its booth #SL11505 in the Las Vegas Convention Center. The Digital Production BuZZ has been an Official Media Partner of the NAB since 2008 and has brought listeners the hottest news, insights and perspectives from the production and post production ...

Using a Canon 5D MkIII, Magic Lantern, RAW workflo

March 10, 2014, 04:46 AM

http://www.fcp.co/final-cut-pro/news/1364-using-a-...

An excellent Final Cut Pro X user story from Jonathan Gilbert at Anchour. He produces some cracking pictures from his Canon 5D MkIII using a Raw workflow which end up in FCPX.

Film and Music Converge On and Off Screen at SXSW

March 9, 2014, 06:42 PM

http://provideocoalition.com/adobe/story/film-and-...

Since 2009, Rob Bralver and Jeff Broadway of Gatling Pictures have worked together on documentary films that tell stories of social importance. Their latest project, OUR VINYL WEIGHS A TON (THIS IS STONES THROW RECORDS), explores the history of Stones Throw Records, a record label committed to independence and artistic freedom.

A Glimpse Of The Things To Come

March 9, 2014, 09:35 AM

http://www.creativeimpatience.com/a-glimpse-of-the...

If you have not yet seen David Helmly showcasing Premiere Pro performance on the new Mac Pro, and presenting a technology demo of RED footage GPU debayer, give it a look. I recommend watching it in its full 1080 resolution, you might spot some interesting details, most likely to appear … see more →

EditStock

March 9, 2014, 09:35 AM

http://splicevine.com/editstock/

EditStock could be your virtual apprenticeship, personal film school and so much more. LA-based, Film & TV editor and trainer Misha Tenenbaum reached out to us last month about a unique site and service he’s created. It’s called EditStock and it […]

Making-Of Doc - Taxi Driver from Script to Screen

March 9, 2014, 09:34 AM

http://nofilmschool.com/2014/03/making-of-doc-deco...

Studying films, whether they’re poorly or masterfully made, is one of the greatest ways you can educate yourself about how (not) to make a film. Martin Scorsese’s masterfully made Taxi Driver has been studied time and time again by experts, students, and enthusiasts, but in this 1999 documentary about the making of the film, we get to hear from the filmmakers themselves, including Scorsese, screenwriter Paul Schrader, DP Michael Chapman, editor Tom Rolf, the cast, and even legendary m...

Premiere Pro CC now supports Sony Raw

March 9, 2014, 09:33 AM

http://www.xdcam-user.com/2014/03/premiere-pro-cc-...

It appears that in the last update to Premiere Pro CC (version 7.2) Adobe included native support for Sony raw at 4K, 2K and HFR. If you are running Premiere CC and you still have the Sony Raw Plug-In installed it makes Premiere unresponsive and will result in a lot of “Media Pending” messages when you try to work with Raw footage. You must uninstall the Sony plug-in to work with raw from version 7.2 onwards...

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