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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Transcript: Digital Production Buzz – July 23, 2

July 24, 2015, 12:01 PM

http://www.digitalproductionbuzz.com/2015/07/trans...

GUESTS Danny Manus, CEO, Script Consultant, No Bull Script Consulting Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Sean Wycliffe, CEO/Co-Founder, Dealflicks The post Transcript: Digital Production Buzz – July 23, 2015 appeared first on Digital Production BuZZ.

My free Apple Motion webinar: Exploring animation

July 24, 2015, 12:01 PM

http://alex4d.com/notes/item/my-free-apple-motion-...

It took me years before I got my mind around Apple Motion. I spent a long time trying to learn how to do complex multi-layer keyframed motion graphics like I used to make in Adobe After Effects. I clicked with Motion once I had a more straightforward task: make a simple plugin for Final Cut Pro X. After making many Final Cut plugins and motion graphics sequences with Motion, I've come to know it well. One of the two sessions I taught at the 2015 FCPX Creative Summit was about using Motion...

Final Cut Pro X and mobile journalism: Audio and m

July 24, 2015, 12:00 PM

http://alex4d.com/notes/item/final-cut-pro-x-and-m...

In recent years, more of TV and internet news features recordings made on mobile phones. iPhones and Andoid phones are also being used by professional journalists. The art and science of using consumer technology this way is known as Mobile Journalism. There are blogs, Twitter hashtags and conferences on the subject.  Final Cut Pro X is the editing software 'for the rest of us' - designed for professionals in many fields as well as editing. That means broadcast news organisations are tra...

6 Easy Steps for Logging Footage

July 24, 2015, 12:00 PM

https://www.rocketstock.com/blog/6-easy-steps-logg...

No matter what type of production you do, at some point you will need to go through and log the footage and ready it for editing. This practice holds true for narrative, documentary, commercial, and industrial. There are some that I’ve met over the years who do not take the time to run through this process, and in the end their project suffers because of it.

Behind VFX Horrors

July 24, 2015, 07:06 AM

http://www.fastcocreate.com/3048707/behind-the-pro...

"Head count" takes on a whole new meaning in The Strain, Guillermo del Toro's chilling vampire series that launched its second season on FX earlier this month. Ancient creatures have infected Manhattan with an especially virulent strain of blood-suckiness, and the only way Romanian beast-hunter Abraham Setrakian (David Bradley) can stop the beasts is by decapitating them with a giant sword. "At the end of the first season, they went into a night club and lopped off something like 15 heads in two...

The Best Practices for Color Grading Commercials

July 24, 2015, 07:06 AM

http://www.premiumbeat.com/blog/the-best-practices...

When it comes to color grading commercials, there are some universal principles that apply to just about every project.

Stylizing Color with the Colorado in After Effects

July 24, 2015, 07:05 AM

http://feedproxy.google.com/~r/richardharringtonbl...

There’s a really dynamic tool in Adobe After Effects called Colorama and in this course I’ll show you how it works.  If you like the gradient map effect in Photoshop, you’re really going to like Colorama, which maps the gradient to a circle.  Where this tool really shines is when you put it onto an Adjustment Layer.  Stylizing Footage: Stylizing Color with the Colorama Effect  To learn more I've created an exciting new course called Stylizing Footage: Stylizing Color with the Col...

Hidden Gems in Adobe Premiere Pro

July 24, 2015, 07:05 AM

http://feedproxy.google.com/~r/richardharringtonbl...

Test your Adobe Premiere Pro CC knowledge and discover new tips and tricks. Watch Premiere Pro World Program Manager, Rich Harrington uncover all the little things you might have missed in the newest version of Premiere Pro. This webinar video is part of a Sneak Peek series showcasing the Premiere Pro World conference at Adobe Video World on Nov. 17-22, 2015. Learn more here: adobevideoworld.com.

Do women get a rough ride in the Industry

July 24, 2015, 07:05 AM

http://www.redsharknews.com/distribution/item/2755...

Is it harder for women to succeed - or even exist at all - in the broadcasting industry? Neil Roberts from Forscene leads the debate. WomenWomen equalityEqualityWomen's equalityBroadcastWomen in broadcast

FCPX Killer Features: Multicam Editing

July 24, 2015, 07:04 AM

http://www.moviemachine.tv/post/final-cut-pro-x-ki...

Multicam Editing in Final Cut Pro X is streamlined, logical and powerful. Once you grasp the key concepts of how this works, within moments you will have synced together different camera angles and be cutting these in realtime within FCPX.

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