It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 20, 2015, 12:10 PM
http://coatofarmspost.com/creating-visual-effects-...
Before we had the opportunity to work with director Braden Lee, we were fans of his work. His videos with Supreme Cuts & Pascäal capture visceral imagery in a gritty world of divergent characters and emotional connections. As with many independent filmmakers, Braden often writes, directs, shoots, edits and produces his own videos. For Lee’s [...]
July 20, 2015, 12:10 PM
http://www.provideocoalition.com/after-effects-hid...
The built-in 3D implementation in After Effects is nowhere near as deep as a dedicated 3D program. However, it does have a few good tricks up its sleeve. On is Adjustment Lights, where you can determine which layers receive a specific light. This is akin the lighting sets in more sophisticated 3D programs.
July 20, 2015, 12:09 PM
http://www.studiodaily.com/2015/07/five-questions-...
Philadelphia has a new audio post-production option with the opening of Shake Audio Post at MilkBoy. MilkBoy the Studio founders Tommy Joyner and Jamie Lokoff brought sound designer Mark Schultz, CAS, formerly of Post Perfect and Suite Spots Studios, on board … more » The post Five Questions with Philly’s Shake Audio Post at MilkBoy appeared first on Studio Daily.
July 20, 2015, 12:09 PM
http://www.videoguys.com/blog/streaming/building-a...
The folks over at RedShark built a virtual studio based on the NewTek TriCaster Mini. The original video ran 38 minutes long. They just posted an edited down 4 minute version that gets most of the main points and concepts across. The NewTek TriCaster Mini is an incredibly powerful, yet portable, live production solution. It Read More The post Building a Virtual Studio with Newtek TriCaster Mini appeared first on Videoguys Blog.
July 20, 2015, 12:09 PM
http://www.avidblogs.com/the-future-of-music-techn...
The article The Future of Music Technology at A3E: Collaboration is Key. by Anthony Gordon appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
July 20, 2015, 10:00 AM
http://designingsound.org/2015/07/make-yourself-a-...
Guest Contribution by Jason Cushing My name is Jason Cu […]
July 20, 2015, 09:58 AM
http://www.btlnews.com/crafts/post-production/pixo...
VFX studio Pixomondo has been responsible for creating the fire-breathing dragons of HBO’s hit fantasy series Game of Thrones since the show’s second season. In the show’s fifth season, the dragons are bigger and more complex, creating challenges for the show’s VFX team.
July 20, 2015, 09:58 AM
http://postperspective.com/behind-title-efilm-seni...
NAME: Tim Stipan (@timstipan) COMPANY: Efilm (@EFILMDigitalLab) CAN YOU DESCRIBE Efilm? Efilm, a Deluxe company, is a feature film finishing house. We are a sister facility to Company 3, and that allows me access to a great wealth of knowledge. When I recently did something in UHD for the first time, I was able to call up CO3 senior colorist Stephen Nakamura, who is one of the few in the world who has experience in UHD, and ask him how he set everything up. WHAT’S YOUR JOB TITLE? S...
July 20, 2015, 09:57 AM
http://www.artofvfx.com/?p=12719
Before becoming a freelance visual effects producer, Shari Hanson has worked for many years at Industrial Light & Magic in the commercials department and then in features. She took care of the effects of films such as THE ISLAND, MISSION: IMPOSSIBLE III, TRANSFORMERS or STAR TREK.
July 20, 2015, 05:28 AM
http://www.motionelements.com/blog/announcements/m...
MotionElements, the largest royalty-free marketplace in […] The post MotionElements Newest Feature Help Creators Wow Clients appeared first on Blog.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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