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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Media Composer Version 8.4 List Tool: EDL metadata

July 19, 2015, 07:08 AM

https://blogs.creativecow.net/blog/13833/media-com...

In a Media Composer Bin and the List Tool, metadata that is populated in an Avid Bin, is passed through to the List Tool. List Tool "Reel ID" setting and where that metadata from within the Avid Bin is going to get pulled from is great downstream control. A Specific Icon with a column populated with metadata is a answer.

Entrevista a Carla Muzykantski (SAE)

July 18, 2015, 01:07 PM

http://saeditores.org/Novedades/Entrevista-a-Carla...

Para la tercera edición de Entrada a cuadro, Marcela Truglio (SAE) entrevistó a Carla Muzykantski (SAE), editora de larga trayectoria que dedicó gran parte de su carrera al cine publicitario.

3D Coat 4.5 Overview Pt.2

July 18, 2015, 01:07 PM

http://www.cgmeetup.net/home/3d-coat-4-5-overview-...

An Overview of 3D-coat 4.5 new version Pt.2

Creating Music with FCPX

July 18, 2015, 05:08 AM

http://www.fcpworks.com/creating-music-fcpx/

Noah here, if you’ve ever met the FCPWORKS team during a trade show like NAB or IBC, you may know we occasionally host after show karaoke parties. We even carry a portable karaoke kit in a lovely Italian HPRC case (more on that in another blog). For some folks it has been a life-changing event.

Adobe Premiere Pro CC 2015

July 17, 2015, 04:11 PM

https://digitalfilms.wordpress.com/2015/07/17/adob...

To reinforce the value of the Creative Cloud subscription, Adobe continues to improve its core video and design products, but is also expanding the implementation of mobile-to-desktop and cloud workflows. The Creative Cloud 2015 video products were previewed at NAB and released this summer. Mobile-to-desktop Incorporation of mobile products into the production pipeline has become […]

Pixeldust Animates Journey to Pluto

July 17, 2015, 04:10 PM

http://www.animationmagazine.net/features/pixeldus...

Bethesda, Maryland-based Pixeldust Studios is the shop behind many animated sequences featured in the new NASA documentary film The Year of Pluto from writer, director and producer Geoff Haines-Stiles (Carl Sagan’s Cosmos). Filmed behind the scenes at Johns Hopkins Applied Physics Lab and elsewhere over a decade-plus span, the documentary turns hard science into personal stories and gives viewers insights into the journey of NASA’s New Horizons craft, which earlier this week returned stunnin...

Transcript: Digital Production Buzz – July 16, 2

July 17, 2015, 12:27 PM

http://www.digitalproductionbuzz.com/2015/07/trans...

GUESTS Randi Altman, Industry Analyst and Editor William "Bill" LaChasse, DP, Photographer Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Suzanne LaChasse, Producer/Actor, Screen Actors System The post Transcript: Digital Production Buzz – July 16, 2015 appeared first on Digital Production BuZZ.

2D/3D crossgrade, upgrade pricing for LightWave 20

July 17, 2015, 12:26 PM

http://postperspective.com/2d3d-crossgrade-upgrade...

The LightWave 3D Group is currently offering owners of other 2D and 3D software programs the opportunity to crossgrade to a full license of LightWave 2015 3D software for $695 (a $300 savings). Additionally, registered owners of LightWave 3D software can upgrade to LightWave 2015 for $395 (a $100 savings). This crossgrade/upgrade offer ends July 31. Details of the offer are available here. Crossgrade pricing is available to all artists using other 2D and 3D software programs, such as Aut...

Stop Blaming CGI and VFX for Everything

July 17, 2015, 12:26 PM

http://filmschoolrejects.com/news/warcraft-the-laz...

Scott Beggs of Film School Rejects has had it with fans who make CGI and VFX the scapegoat for all the ills of big-budget Hollywood movies. Sparked by an inane fanboy comment about the upcoming Warcraft film, Beggs writes that knee-jerk criticism of computer animation hinders any serious discussion about the craft...

It Never Ends

July 17, 2015, 12:26 PM

http://animationguildblog.blogspot.ca/2015/07/it-n...

This decade’s Disney film remakes started with Tim Burton’s take on “Alice in Wonderland” in 2010, followed by the 2014 adaptation of Sleeping Beauty, “Maleficent.” Then came the 2015 live-action remake of “Cinderella.”

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