It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 8, 2015, 12:19 PM
http://www.studiodaily.com/2015/07/avid-media-comp...
Avid Media Composer 8.4 sweetens the deal for high-resolution workflow, allowing users to work in custom resolutions all the way up to 8K. Avid said the new version of Media Composer also improved real-time playback for other codecs. Sony XAVC-I … more » The post What’s New in Avid Media Composer 8.4? Up to 8K Editing. appeared first on Studio Daily.
July 8, 2015, 10:03 AM
http://www.aotg.com/index.php?page=assistant_editi...
Here are the lessons learned from assisting on Frontline! I promise you, assistant editors are doing something in those dark edit bays, and I hope outlining our processes will make it easier for makers and editors alike to concentrate on the details.
July 8, 2015, 09:54 AM
http://www.creativebloq.com/vfx/tips-getting-job-g...
It's one of the biggest shows in the world right now. So as a 3D artist, what are the chances you could get to work on a future series yourself? We spoke to Joe Bauer and Steve Kullback, the VFX supervisor and producer of Game of Thrones, to find out...
July 8, 2015, 09:53 AM
http://www.studiodaily.com/2015/07/kung-fury-vfx-b...
This low-budget VFX breakdown for "Kung Fury" highlights the film's utter ridiculousness as well as the incredible ingenuity that went into it. The post Kung Fury VFX Breakdown #1 appeared first on Studio Daily.
July 8, 2015, 09:52 AM
http://bosfcpug.org/izotope-offers-free-weekly-edu...
iZotope's Mastering Month online series will feature weekly webinars, videos, blog posts, and more to teach engineers of any skillset across a variety of audio mastering topics.
July 8, 2015, 09:51 AM
http://www.avidblogs.com/2015-avid-brand-perceptio...
The article Take the 2015 Avid Brand Perceptions Survey by Dana Ruzicka appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
July 8, 2015, 09:51 AM
http://www.redsharknews.com/vr_and_ar/item/2714-vr...
The new era of wearable imaging tech is almost here. Mark Ramshaw provides a comprehensive round-up of the main players in the field to date, from the very public Oculus to the very secretive Magic Leap. VRVR headsetsOculus RiftFacebookMicrosoft HoloLensMorpheusSonyE3HTCHTC ViveSamsungSamsung GearVRRazorGoogleGoogle CardboardJauntJaunt VRMagic Leap
July 8, 2015, 09:50 AM
http://www.jamuura.com/blog/film-editing-101-types...
"The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room" said Orson Welles. A directors vision of the movie is incomplete till the editor has done his/her magic. While screenwriters and directors are the first and second storytellers of a movie, editors are the third ones. The editor may construct or deconstruct a narrative or documentary and shape it to his or her own will.
July 8, 2015, 09:50 AM
http://www.creativebloq.com/software/3d-tools-make...
The latest version of cineSync, 3.6, is out now, and what captured our attention the most was the new integration between remote review and approval tool cineSync and Shotgun production tracking, review and asset management software.
July 8, 2015, 09:50 AM
http://www.creativebloq.com/3d/rigid-body-dynamics...
Playing with dynamics systems in 3D software is one of the areas that gives the most instand gratification, probably working the same areas of the brain that give us a buzz when playing Mousetrap as a kid.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.