It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 16, 2015, 05:10 AM
http://animationguildblog.blogspot.ca/2015/06/spea...
The animated marketplace beyond our shores.
June 16, 2015, 05:09 AM
http://www.btlnews.com/news/the-sound-of-jurassic-...
In this exclusive profile SoundWorks Collection talks with sound designer and re-recording mixer Pete Horner and supervising sound editor/sound designer Al Nelson from Skywalker Sound about their work on Jurassic World.
June 15, 2015, 04:33 PM
http://tracking.feedpress.it/link/9766/1262149
It’s a great question. It’s because Titler Pro 4 was designed by you. No really. We used your feedback to make our best titling tool yet. You asked for improved performance. You asked for a better workflow. You asked for more features. And we delivered.
June 15, 2015, 04:32 PM
https://library.creativecow.net/wall_kylee/custome...
No matter how you get into post production — a lifelong love of movies, an accidental college experiment, or something in between — you have certain…expectations about the career. Before you get sucked too far down the rabbit hole, it seems like a nice, quiet, solitary job with minimal human interaction that relies heavily on your technical abilities.
June 15, 2015, 12:42 PM
http://www.premiumbeat.com/blog/tips-for-coloring-...
Interviews are a great place to sharpen color grading skills. Let’s look at some ways we can push and improve upon this common setup in DaVinci Resolve.
June 15, 2015, 12:41 PM
http://www.provideocoalition.com/after-effects-hid...
Some effects - usually those in the Distortion category - will try to create new pixels in After Effects that should appear beyond the layer’s original boundaries. Sometimes, it’ll be okay - but sometimes, they’ll get clipped off by the layer’s boundaries:
June 15, 2015, 12:41 PM
http://saeditores.org/Novedades/La-ultima-palabra-...
Segunda parte de la mesa La última palabra: Reescrituras en la sala de montaje, organizada por SAE y EDA en el marco del 17° Festival Internacional de Cine de Buenos Aires (BAFICI). Con la participación de Loli Moriconi (EDA) y Alejandro Carrillo Penovi (SAE) como expositores, y Alberto Ponce (SAE) en el rol del moderador.En esta segunda entrega, Alejando Carrillo Penovi (SAE) desarrolla una versión del “viaje del héroe” de Joseph Campbell como alegoría del proceso de montaje e ilu...
June 15, 2015, 12:41 PM
http://www.fastcompany.com/user/tina-seelig
A fascinating article writen by Tina Seelig on how a change of perspective can open doors to a new approach. The challenge for many is recognising there are other doors behind which exist alternative […]
June 15, 2015, 12:39 PM
http://www.provideocoalition.com/tricks-for-sony-f...
Sony’s Cine-EI mode is both a blessing and a curse. Here's how to work to its strengths and around its issues using two free software packages…
June 15, 2015, 12:39 PM
http://www.creativeplanetnetwork.com/flink/610273
Andrew Thomas Huang's 12-minute music video for Bjork's "Black Lake"--which was at the center of the recent MoMA retrospective on the singer--features more subtle VFX work than some of Huang's previous collaborations with Bjork. Regardless Huang calls the work, which includes flowing blue lava and a cape that comes to life, "rich, varied and in some of their best moments seamless and slight of hand."
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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