It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 23, 2017, 02:41 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“You go with the men and you’re 10 feet tall. You go with the lower forms and you are down in the slime.” — Tommy Tyler ...
November 23, 2017, 12:21 PM
https://edaeditores.org/32-mdq-nominados-a-mejor-m...
Cláudia Oliveira, Edgar Feldman y Luísa Homem editaron juntos la película A fábrica de nada de Pedro Pinho. Los tres están nominados al premio al Mejor Montaje de películas en competencia Internacional que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata y nos cuentan el proceso de edición de esta película: Luísa Homem: […]
November 23, 2017, 12:21 PM
https://edaeditores.org/32-mdq-nominados-a-mejor-m...
María Astrauskas (SAE), editora de Invisible, nos cuenta cómo fue el proceso de montaje de la película dirigida por Pablo Giorgelli, nominada al premio al Mejor Montaje de películas en Competencia Internacional, que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata: “El montaje de Invisible fue un proceso […]
November 23, 2017, 06:47 AM
http://saeditores.org/Novedades/El-puto-inolvidabl...
Una síntesis personal de la edición por sus artífices.
November 23, 2017, 06:46 AM
http://www.avidblogs.com/the-a-list-nancy-forner-a...
The article The A-List — Nancy Forner, ACE, Associate Professor of Cinema Practice at USC by Avid appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
November 22, 2017, 12:42 PM
http://postperspective.com/blade-runner-2049s-dyna...
By Jennifer Walden “This film has more dynamic range than any movie we’ve ever mixed,” explains re-recording mixer Doug Hemphill of the Blade Runner 2049 soundtrack. He and re-recording mixer Ron Bartlett worked with director Denis Villeneuve to make sure the audio matched the visual look of the film. Continue reading → November 22, 2017 The post Blade Runner 2049’s ‘dynamic’ and emotional mix appeared first on Randi Altman's postPerspective.
November 22, 2017, 12:42 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Folks – Don’t fall victim to Black Friday or Cyber Monday! Save your money… for just a little while longer. On Tuesday, December 5, 2017, we are having our Red Giant Year End Sale. We’re also giving away a TON OF PRIZES leading up to the sale. Here’s what you need to know: The post SALE: Our 40%-Off Sale is Coming Dec. 5! appeared first on Red Giant.
November 22, 2017, 07:06 AM
http://www.avidblogs.com/making-the-cut-jake-rober...
The article Making The Cut: Jake Roberts, ACE — The Joy of Discovery by Claire Sayers appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
November 22, 2017, 07:05 AM
http://www.fcp.co/final-cut-pro/articles/2021-from...
Near-live broadcast editing is one of the craziest jobs in our business. You constantly work under high pressure, ingesting, organizing, editing and finishing you program while the event is still going on. And your edit needs to be ready to air as quickly as possible while you have to comply with the highest quality standards. This requires a well-oiled team of very experienced people using hardware and software that is both fast and absolutely reliable. Because there are no excuses.
November 22, 2017, 07:05 AM
http://alex4d.com/notes/item/move-over-800mb-s-usb...
There seems to be some competition improving the state of external drives. Most workflows are more than served by the kind of bandwidth available through the USB 3.1 protocol. There are always jobs that need more. Barefeats have done a new test comparing the fastest bus-powered SSD from last year with this year’s Thunderbolt 3 drives and enclosures from Sonnet, Netstor, AKiTiO and LaCie. See how fast they can read and write data over on the Bare Feats site. Although read speeds are get...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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