It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 20, 2017, 05:34 AM
http://alex4d.com/notes/item/fcpx-importing-is-not...
There is a point in post production workflow when only using your NLE’s importing function is not enough. When insurance companies want to know how you are confirming data transfers and where your redundant backups will be stored. Instead of investing a dedicated application for media management, Seth Goldin suggests a free OS alternative: As far as I can tell, rsync remains superior to pretty much every other professional application for media ingest, like Imagine Products ShotPut Pro...
November 20, 2017, 05:34 AM
http://www.creativeimpatience.com/editing-case-stu...
Since I have had such a great time this year working on 48 Hour Film Project, I decided to follow through and guide you over the actual editing process of this short movie. If you have not yet read my 48 HFP Experience article, I encourage you to do so. This … see more →
November 20, 2017, 05:34 AM
http://designingsound.org/2017/11/sunday-sound-tho...
Feedback is a pretty big part of what sound does. But despite that, we’re not often taught interaction design during our training as composers or sound designers. A big part of designing an interactive experience is deciding what kind of feedback you want to give for each interaction opportunity. Do you want to encourage or discourage an […]
November 20, 2017, 05:34 AM
https://edaeditores.org/32-mdq-nominados-a-mejor-m...
Maja Tennstedt co-editó junto al director Ben Russell la película Good Luck y ambos están nominados al Premio al Mejor Montaje de películas en Competencia Internacional que otorgará EDA en la 32ª edición del Festival Internacional de Cine de Mar del Plata. Maja y Ben nos cuentan cómo fue el proceso de edición de la película: […]
November 18, 2017, 08:36 AM
https://edaeditores.org/charla-el-rol-del-montajis...
En el marco del Festival Internacional de Cine de Mar del Plata, el sábado 25 a las 17hs en el Salón Recova – Gran Hotel Provincial, los invitamos a la charla organizada por EDA: “El rol del montajista en un film” a cargo de Pablo Barbieri (EDA/SAE), miembro de las Academias de las Artes y […]
November 18, 2017, 08:36 AM
https://edaeditores.org/eda-entregara-un-premio-a-...
Con mucho orgullo anunciamos que EDA entregará el Premio a Mejor Montaje de largometrajes en la Competencia Internacional del Festival Internacional de Cine de Mar del Plata. El jurado es de composición internacional y está integrado por los destacados montajistas Pablo Barbieri (EDA/SAE) de Argentina, Irene Blecua de España y Jordana Berg (EDT) de Brasil. […]
November 18, 2017, 08:36 AM
http://www.digitalproductionbuzz.com/2017/11/trans...
HOST Larry Jordan GUESTS Jonathan Handel, Entertainment/Technology Attorney & Labor Reporter, TroyGould and The Hollywood Reporter Philip Hodgetts, President, Lumberjack System Randi Altman, Editor-in-Chief, postPerspective Michael Kammes, Director of Technology, Key Code Media Sam Bogoch, CEO, Axle Video James DeRuvo, Senior Writer, DoddleNEWS == Announcer: The Digital Production Buzz is brought to you by KeyFlow Pro, media asset management software, designed to meet the needs...
November 18, 2017, 08:36 AM
https://edaeditores.org/conociendo-al-jurado-inter...
EDA entregará el Premio a Mejor Montaje de largometrajes en la Competencia Internacional del 32 Festival Internacional de Cine de Mar del Plata. Les presentamos al jurado internacional conformado por los siguientes destacados montajistas: Jordana Berg (edt.rio) nació en Río de Janeiro en 1963 y es una de las referentes en el montaje de cine […]
November 18, 2017, 08:35 AM
https://edaeditores.org/socios-y-socias-de-eda-en-...
El 17 de noviembre comenzó el 32 Festival Internacional de Cine de Mar del Plata y queremos compartir los trabajos de socios y socias de EDA que serán parte del gran evento cinematográfico del año con los proyectos que integran la programación. COMPETENCIA LATINOAMERICANA CRISTINA CARRASCO (EDA) /ANDREA CHIGNOLI (EDA) “La Familia” de Gustavo Rondón Córdova ANDREA KLEINMAN (SAE/EDA) /JULIA […]
November 17, 2017, 06:49 PM
http://saeditores.org/Novedades/La-SAE-entregara-e...
Por quinto año consecutivo, la SAE entregará el Premio al Mejor Montaje de Película Argentina en Competencia en el marco del 32º Festival Internacional de Cine de Mar del Plata, que se llevará a cabo entre el 17 y el 26 de noviembre.El jurado, integrado por Pablo Mari (SAE), Alejandro Carrillo Penovi (SAE) y Valeria Otheguy (SAE) elegirá al ganador entre los largometrajes argentinos participantes de las Competencias Internacional, Latinoamericana y Argentina.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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