It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 15, 2017, 11:07 AM
http://www.artofthetitle.com/title/cleo-from-5-to-...
What would you do if you were waiting to hear from your doctor about a potentially fatal illness? How would time start to feel? Would it feel sharply accelerated or laboriously slow? You look in the mirror and remind yourself that you’re still alive. The bustle of life continues all around you, suddenly alien. Something feels definitively off.
November 15, 2017, 07:59 AM
http://www.digitalproductionbuzz.com/2017/11/digit...
This week, we are catching our breath after all the news and releases over the last couple of months. We’ve invited several key regulars to share their perspective on recent topics and where things are headed. Join host Larry Jordan as he talks with Jonathan Handel, Philip Hodgetts, Randi Altman, Michael Kammes, Sam Bogoch, and James DeRuvo. … The post Digital Production Buzz – November 16, 2017 appeared first on Digital Production BuZZ.
November 15, 2017, 07:59 AM
http://www.fcp.co/final-cut-pro/articles/2018-how-...
In this presentation from FCPX World at IBC, Christian Petterson from VGTV Norway explains why they exclusively use Final Cut Pro X to produce hundreds of hours of content each year for different online and linear television channels, including a 24/7 news channel.
November 15, 2017, 07:58 AM
http://postperspective.com/review-blackmagic-resol...
By David Cox Blackmagic has released Version 14 of its popular Da Vinci Resolve “color grading” suite, following a period of open public beta development. I put color grading in quotes, because one of the most interesting aspects about the V14 release is how far-reaching Resolve’s ambitions have become, Continue reading → November 14, 2017 The post Review: Blackmagic Resolve 14 appeared first on Randi Altman's postPerspective.
November 15, 2017, 07:58 AM
https://www.provideocoalition.com/art-cut-murder-o...
BAFTA-winning editor, Mick Audsley, discusses editing Kenneth Branagh's "Murder on the Orient Express" with Art of the Cut
November 14, 2017, 01:36 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Two years after signing with Whitehouse Post for Los Angeles representation, editor Tobias Suhm has officially made his move to the West Coast. The former Berlin-based editor brings well over a decade’s worth of experience to LA.
November 14, 2017, 10:17 AM
http://saeditores.org/Novedades/Casi-famosos-por-M...
Siempre es difícil para los editores explicar en qué consiste nuestro oficio y, mucho más, hacer entender a otros como podemos estar trabajando a lo largo de meses y meses en una misma película. Este relato de Mark Livolsi (ACE) acerca de las enormes transformaciones de una escena durante el montaje de Casi famosos (Cameron Crowe, 2000) es una buena explicación de ese proceso y de las particularidades de nuestro trabajo.
November 14, 2017, 10:17 AM
http://collider.com/thor-ragnarok-zene-baker-inter...
On Thor: Ragnarok, editors Zene Baker and Joel Negron worked with director Taika Waititi to breathe a new and undeniably hilarious life into the franchise’s third installment. In the film, Thor (Chris Hemsworth) finds himself having to get back to Asgard to stop the destruction of his homeworld and the end of civilization there, at the hands of the scarily powerful Hela (Cate Blanchett). Utilizing a refreshing level of humor and fun throughout the story, Thor must get his duplicitous adopted b...
November 13, 2017, 06:04 PM
https://www.screeneditors.com.au/enews-82-october-...
eNews 82 - October 2017
November 13, 2017, 06:04 PM
http://www.goldderby.com/article/2017/composer-ale...
During our recent webcam chat (watch the exclusive video above), composer Alexandre Desplat reveals that upon seeing “The Shape of Water” for the first time, he was “in awe by the beauty of it.” Directed by Guillermo Del Toro, this Cold War era drama centers on a mute woman named Eliza (Sally Hawkins), who works as a maid in a top-secret government lab.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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