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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

conSOLIDator by David Torno

November 13, 2017, 10:16 AM

https://www.provideocoalition.com/consolidator/

Why hello there! It’s been quite some time since I’ve done some After Effects scripting work, and I’ve been a bit MIA in the After Effects community lately. That is mostly due to the 3D transition I have been making over the years, and more so recently. I’ve been diving pretty hardcore into Houdini, Cinema4D, X-Particles, and TurbulenceFD as of late. None of those new by any means for me, but have just been in sharper focus as I push harder and harder to expand my skill set. I’ve even ...

Sam Mestman and Ronny Courtens talk about the rele

November 13, 2017, 05:42 AM

http://www.fcp.co/final-cut-pro/articles/2017-sam-...

We continue to publish the videos from The FCPX World event at IBC. And we start off with two highly anticipated presentations.

Suburbicon

November 12, 2017, 07:39 AM

https://digitalfilms.wordpress.com/2017/11/11/subu...

George Clooney’s latest film, Suburbicon, originated over a decade ago as a screenplay by Joel and Ethan Coen. Clooney picked it up when the Coens decided not to produce the film themselves. Clooney and writing partner Grant Heslov (The Monuments Men, The Ides of March, Good Night, and Good Luck), rewrote it as taking place […]

Encore une !

November 11, 2017, 02:01 PM

https://journaldunemonteuse.wordpress.com/2017/11/...

A chaque montage, sa méthodologie ! Première semaine d’un nouveau court-métrage de fiction, produit par NORTE et né sous une belle étoile (ARTE). Je suis encore étonnée d’explorer une nouvelle manière de travailler. Je crois que pas un film ne … Lire la suite →

Crazy music energy, and crazy smooth picture edits

November 11, 2017, 08:46 AM

http://www.thepoweredit.com/crazy-music-energy-and...

Today, we have not one but TWO Pro Tip How-To videos from Story Greenlight. I dare you to watch them and not have your edit skills jump up multiple notches. First: Cutting picture to the beat of your music is a powerful way to raise the energy in your edit. Here’s how to avoid the … Continue reading Crazy music energy, and crazy smooth picture edits →

Transcript: Digital Production Buzz – November 9

November 10, 2017, 06:05 PM

http://www.digitalproductionbuzz.com/2017/11/trans...

HOST Larry Jordan GUESTS Michael Wohl, Author, The 360° Video Handbook Michele Yamazaki, VP Marketing, Toolfarm Matthew Celia, Creative Director, Light Sail VR Andy Cochrane, Director, The AV Club Chris Bobotis, Director of Immersive Video, Adobe Systems, Inc.… The post Transcript: Digital Production Buzz – November 9, 2017 appeared first on Digital Production BuZZ.

La Academia anunció las nominaciones a los Premio

November 10, 2017, 06:04 PM

http://saeditores.org/Novedades/La-Academia-anunci...

La Academia de las Artes y Ciencias Cinematográficas de la Argentina dio a conocer las nominaciones a los Premios Sur 2017, que serán entregados en marzo del año próximo.En la categoría Mejor Montaje los nominados son...

Automatic Colouring of Black and White Images Usin

November 10, 2017, 10:35 AM

http://www.fcp.co/final-cut-pro/articles/2016-auto...

Not an FCPX story, but an accidental discovery via Twitter. With machine learning set to take a bigger role in editing, one Twitter account is already auto-colourising photos. Spoiler: They are doing video too.

Adobe Premiere Pro CC Oct 17: New Features

November 10, 2017, 10:35 AM

https://www.videoguys.com/blog/adobe-premiere-pro-...

There are over 170 new features in the latest release of Adobe’s Premiere Pro CC! Here is a comprehensive article from Adobe that details all of the new and exciting features for seasoned Adobe editors and newbies. Read on for details: From Adobe’s blog Earlier in September we revealed a number of the most exciting Read More The post Adobe Premiere Pro CC Oct 17: New Features appeared first on Videoguys Blog.

*Los Últimos*, por Hugo Primero (SAE) y Misael Bu

November 10, 2017, 07:08 AM

http://saeditores.org/Novedades/Los-Ultimos-por-Hu...

Una síntesis personal de la edición por sus artífices.

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