It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 25, 2018, 04:20 PM
http://www.philiphodgetts.com/2018/06/maybe-10-yea...
Our industry is evolving ever faster. Why shouldn't our tools? Maybe apps should have a best before date.
June 25, 2018, 04:20 PM
https://fxfactory.com/blog/effects-2/animated-quot...
A great way to add elegant and professional looks to your video with 32 simple, modern, clean and minimal professionally animated titles.
June 25, 2018, 12:15 PM
http://www.artofvfx.com/the-x-files-season-11-vfx-...
Image Engine presents their VFX work on the 11th season of THE X-FILES...
June 25, 2018, 05:40 AM
http://designingsound.org/2018/06/25/making-a-care...
I was exceptionally lucky to have stumbled/lied my way into a dream job designing sound for video games twenty years ago, and am even more fortunate to have somehow made a career out of it. Sometimes people ask me how I’ve managed to stay afloat in this tumultuous industry having braved numerous crunches, layoffs, studio […]
June 24, 2018, 05:35 AM
https://www.screeneditors.com.au/7741-2/
A longer version of Christian Gazal's article will be available soon! (Overdrawing image from "Peter Rabbit" courtesy of Animal Logic.)
June 22, 2018, 01:44 PM
http://www.studiodaily.com/2018/06/stranger-things...
Spoiler warnings should probably be in effect for this installment of Vanity Fair‘s Notes on a Scene series, in which VFX gurus Paul and Christina Graff explain and annotate some of the work that went into Stranger Things season 2, including Eleven’s fight against the Shadow Monster. The post Stranger Things‘ VFX Team Explains Season 2’s Visual Effects appeared first on Studio Daily.
June 22, 2018, 06:20 AM
http://www.artofvfx.com/geostorm-vfx-breakdown-by-...
While recent planet-wide dust storms raged on Mars, a small sci-fi movie unspooled 33.9 million miles away, in a handful of theatres across the United States. 2036 Origin Unknown, released by Gravitas Ventures June 6, is an indie sci-fi thriller set mostly in an underground bunker on the Red Planet where a lone U.S. Planetary Corp operative Mackenzie ‘Mack’ Wilson (Katee Sackhoff) and her artificial intelligence system, ARTi (Steven Cree), probe the mysteries of a giant cube unearthed in a M...
June 22, 2018, 06:20 AM
http://cinefex.com/blog/origin-unknown/
While recent planet-wide dust storms raged on Mars, a small sci-fi movie unspooled 33.9 million miles away, in a handful of theatres across the United States. 2036 Origin Unknown, released by Gravitas Ventures June 6, is an indie sci-fi thriller set mostly in an underground bunker on the Red Planet where a lone U.S. Planetary Corp operative Mackenzie ‘Mack’ Wilson (Katee Sackhoff) and her artificial intelligence system, ARTi (Steven Cree), probe the mysteries of a giant cube unearthed in a M...
June 22, 2018, 06:20 AM
https://www.provideocoalition.com/hitfilmpro_worki...
In our last lesson, in our look at learning HitFilm Pro, we talked a little bit about basic editing, and setting your options. In this lesson, we’re going to move ahead, and talk about HitFilm Pro’s Toolbar, and the tools you have quick access to, when editing in your timelines.
June 21, 2018, 07:35 AM
http://www.avidblogs.com/planar-motion-tracking-an...
The post Planar Motion Tracking and Screen Replacements in Avid Media Composer appeared first on Avid Blogs.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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