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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Scale Logic edited

October 2, 2015, 09:25 AM

http://www.youtube.com/watch?v=9xeu4ff_kEw

At IBC 2015 Bob Herzan of Scale Logic Inc. talking about their Hyper FS product, which is built specifically for editing, broadcast and creative community. Mac, Windows and Linux systems can all work with HyperFS. For more on IBC visit http://postPerspective.com

A Month of Field Recordists: Watson Wu

October 2, 2015, 09:24 AM

http://www.creativefieldrecording.com/2015/10/01/a...

Today begins a month-long series learning about field recordists and the tools they use. Learn more about the series in yesterday’s introductory post.

How to Create a Believable Universe With Sound

October 2, 2015, 04:58 AM

http://www.moviemaker.com/archives/moviemaking/edi...

Sound design working at its best seamlessly describes, enhances and elevates the image, giving weight, character and detail to all we see. It creates the universe in which the story is taking place, further extending the reality on screen.

What’s new in Audition CC 2015.1

October 1, 2015, 01:55 PM

http://www.provideocoalition.com/what-s-new-in-aud...

Let me get straight to the point.  This upcoming release of Audition CC 2015.1, coming to Creative Cloud users later this year, gives you the ability to perform miracles and work wonders! (Note: Ability of Audition CC 2015.1 to perform miracles and work wonders not guaranteed.)   

Monthly Theme: Film Theory

October 1, 2015, 11:29 AM

http://designingsound.org/2015/10/monthly-theme-fi...

From time to time, while working specifically on the au […]

Deluxe Media Paris —Pro Tools | S6 at the Core o

October 1, 2015, 11:28 AM

http://www.avidblogs.com/deluxe-media-paris-pro-to...

The article Deluxe Media Paris —Pro Tools | S6 at the Core of Multilingual Voice-Overs by Aurélien Pichod appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

7 Female Film Composers You Should Know About

October 1, 2015, 04:37 AM

http://www.raindance.org/7-female-film-composers-y...

Female Composers, Where Art Thou? The lack of Female Film Composers is not a secret, it is very rare to see a Female credited for scoring a 'huge' movie. Debbie Wiseman says: “I think there are so few female composers in the industry for exactly the same reasons there are fewer female directors, camera operators, editors, etcetera.

How I Learned to Stop Worrying and Love the Restri

October 1, 2015, 04:37 AM

http://designingsound.org/2015/10/how-i-learned-to...

Guest contribution by Matthew Marteinsson. Audio Direct […]

Review: PreSonus Studio One 3

October 1, 2015, 04:34 AM

http://www.audiomediainternational.com/recording/r...

Harder, Better, Faster, Stronger are all great aspirations – ideal for opening Glastonbury or indeed a tag line for the latest incarnation of your killer software. Avoiding of course – Fatter, Flatter, Slower, Harder to Use.

Sound Design as World-Building

September 30, 2015, 12:19 PM

http://www.moviemaker.com/archives/print/mm_guide_...

Sound design working at its best seamlessly describes, enhances and elevates the image, giving weight, character and detail to all we see. It creates the universe in which the story is taking place, further extending the reality on screen.

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