It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 26, 2013, 04:32 AM
http://www.avidblogs.com/ibc-2013-media-composer-m...
August 25, 2013, 02:28 PM
http://challenge.90to5.org/interview-with-fernando...
Interview to Fernando Franco –the renown Spanish film editor– about using the footage of a feature film to create a new work: Les variations Dielman (a remix of Chantal Akerman’s Jeanne Dielman)
August 25, 2013, 09:01 AM
http://masteringmultimedia.wordpress.com/2013/08/2...
As I was making some final edits to a 10-minute long video project, an ad for the new Hawaiki AutoGrade color correction plug-in for Final Cut Pro X (Through Noise Industries FXFactory for $29.00) popped up in my Facebook feed. Normally, I just ignore these FB ads, but this one received my full attention.
#final cut pro xAugust 25, 2013, 08:46 AM
http://www.redsharknews.com/post/item/1015-red-get...
It has come as a massive surprise to users of red cameras as it has always been a much requested feature but the official line has always been that GPU cards were just not very good at handling the debayering and wavelet technology that is involved in working with red footage. Well this has all suddenly changed, with a new version of REDCINE-X that supports graphics card technology to take the load off the computers CPU
#redAugust 25, 2013, 08:46 AM
http://provideocoalition.com/awilt/story/first-loo...
Back in late February, a chap named James Flynn put up a Kickstarter page for Luxi: "Luxi turns your iPhone into an incident light meter." He hoped to raise $10,000 to build the thing; 45 days later he had $120,921. I threw some money in the pot in mid-March, and earlier this month two Luxis...
August 25, 2013, 08:40 AM
http://blogs.indiewire.com/thompsononhollywood/toh...
With "The Grandmaster" hitting theaters, the TOH! team reviews and ranks the best of Hong Kong auteur Wong Kar-wai, whose output is just ten features (along with many shorts) since 1988. But first, we have an introduction to Wong's oeuvre from Asia Film wonk David Chute
August 25, 2013, 08:03 AM
http://nofilmschool.com/2013/08/the-worlds-end-dir...
Earlier this month, we shared the online interactive screenplay for Shaun of the Dead, as well as a bunch of behind-the-scenes videos for the whole Cornetto Trilogy that Focus Features shared to gear fans up for today's U.S. release of The World's End. The cult following for these films is growing, thanks to the satirical humor, witty banter, and surprisingly well-rounded characters.
August 24, 2013, 05:23 PM
http://digitalfilms.wordpress.com/2013/08/24/the-n...
With echoes of Monty Python in the background, two years on, Final Cut Pro 7 and Final Cut Studio are still widely in use. As I noted in my post from last November, I still see facilities with firmly entrenched and mature FCP "legacy" workflows that haven't moved to another NLE yet. Some were ready to move to Adobe until...
#final cut pro#fcp#final cut pro 7#final cut studioAugust 24, 2013, 05:22 PM
http://blogs.creativecow.net/blog/12988/avid-symph...
A container, like a glass containing liquid. That glass would be the metadata and the liquid in that glass would be the essence. I want to replace low quality liquid with high quality uncompressed master resolution liquid. Using the Resolve and Avid Symphony I can end up with an uncompressed .mxf file with embedded “Tape” name metadata created from the best known masters also known as RED, ALEXA, 5D, 7D, GoPro, P2, Phantom, Sequential Files, Tape, etc.
#avid#red#5d#gopro#alexa#tape#7d#p2#phantom#sequential filesAugust 24, 2013, 05:21 PM
http://www.redsharknews.com/post/item/1006-redshar...
Redshark's only 10 months old, and our readership is growing all the time. So if you're a new arrival here you'll have missed some great articles from earlier in the year DNxHDProResIntermediateIntermediate CodecLongGOPIFrameEdit FriendlyProcessor Friendly
#avid
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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