It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 21, 2020, 01:05 PM
https://postperspective.com/adobe-cc-updates-inclu...
Adobe updated the tools within its Creative Cloud offerings, including for Premiere Pro, After Effects, Audition, Character Animator, Media Encoder and Premiere Rush. The updates are available now and offer support for Apple ProRes Raw, new creative tools in After Effects, workflow refinements in Character Animator and performance improvements, such as faster Auto Reframe in Premiere Pro. Continue reading → May 20, 2020 The post Adobe CC updates include ProRes Raw support for Premiere an...
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GPU hardware acceleration within Adobe Premiere Pro, Media Encoder, and After Effects could be right around the corner for PCs.
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Today, I’m talking with the editors of ESPN Films documentary series The Last Dance. Joining me are Chad Beck, ACE, Ben Sozanski, ACE, Abhay Sofsky, and Devin Concannon. Chad Beck has edited previous documentaries including Rest In Power: The Trayvon Martin Story, Inside Job, Page One: Inside the New York Times, and The First Monday [...]Read More...
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https://www.screeneditors.com.au/avid-and-premiere...
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May 19, 2020, 12:32 PM
https://www.fcp.co/final-cut-pro/news/2270-automat...
Ever wanted to time your Final Cut Pro X exports exactly? Now you can with ChronoX, an app that means you don't have to sit there with a stopwatch!
May 16, 2020, 04:53 PM
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These are the 8 After Effects plugins that you should have in your motion design arsenal!
May 16, 2020, 04:51 PM
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In this episode of the PVC Podcast we demystify DAMs, MAMs, and PAMs, and more importantly get to the heart of the problems that asset management solves. Joining Damian Allen, Kenny McMillan and special guests Bryson Jones of North Shore Automation (https://www.northshoreautomation.com/) and Jeremy Strootman [...]Read More...
May 15, 2020, 01:32 PM
https://www.premiumbeat.com/blog/best-free-animati...
Let's take a look at the best FREE animation software that you can download and start using today, with over ten software options listed here.
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By Brady Betzel The latest Boris FX 2020 plugin releases like Continuum, Sapphire and Mocha, as well as the addition of the Silhouette software (and paint plugin!), have really changed the landscape of effects and compositing. Over the course of two reviews I will be covering all four of Boris FX’s 2020 offerings — Continuum 2020.5 and Sapphire 2020 now, Continue reading → May 14, 2020 The post Review: Boris FX Continuum 2020.5 and Sapphire 2020 appeared first on postPerspective.
May 15, 2020, 01:31 PM
http://wordpress.quintessentialstudios.net/?p=954
Recently, while applying for a student membership to an editors organization, I was asked to explain a little more about my studies and path from IT to editorial. I am posting a part of my reply here: (I have used brackets below to add more explanation as well.) “Around 2007-2008, something happened that would start [...]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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