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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color Palettes of Hayao Miyazaki Movies

March 13, 2015, 10:31 AM

http://www.fubiz.net/2015/03/13/color-palettes-of-...

Le designer et illustrateur Hyo Taek Kim s’est passionné pour les films d’animation du réalisateur japonais Hayao Miyazaki et à l’esthétique de ses couleurs. En hommage à ses films, il a conçu une série de palettes de couleurs The Colors of, à la manière des pantones, sous la forme de bandes horizontales : Princess Mononoke, Totoro, Le Chateau dans le Ciel, et bien d’autres.

Behind the Title” Wax’s Stephen Jess

March 13, 2015, 04:56 AM

http://postperspective.com/behind-title-waxs-steph...

NAME: Stephen Jess COMPANY: New York City edit house Wax CAN YOU DESCRIBE YOUR COMPANY? Wax is a boutique editorial company/creative collective/group of people who are committed to telling great stories, all kinds of stories. WHAT’S YOUR JOB TITLE? Editor/Partner WHAT DOES THAT ENTAIL? I’m cutting most days, and working with my partner Toni Lipari to create the opportunity for our team at Wax to grow. WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? I’m ...

Robert Douglas-Reeves Designs Invisible Visual Eff

March 13, 2015, 04:56 AM

http://www.avidblogs.com/robert-douglas-reeves-des...

The article Robert Douglas-Reeves Designs Invisible Visual Effects for TV Drama ‘Happy Valley’ by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

7 Ultimate Tricks For Video Editing

March 13, 2015, 04:54 AM

http://editorcontrol.com/7-ultimate-tricks-for-vid...

Video Editing Tips 101 I came across a site just the other day with 7 Ultimate Tricks for Video Editors. To some of you, it may sound like Video Editing Tips 101, but so what? Everybody can’t know everything. Because I like to share information no matter how advanced or simple it may be, I chose to post something about it right here for whoever might benefit from its information. I’m cool like that, cuz. Click here for a link to...

The Guy Who Helped Define Tim & Eric’s Editing S

March 12, 2015, 04:48 PM

http://www.fastcocreate.com/3043472/then-and-now/h...

An owl with bat-like features sounds like somebody's nightmare, but it's a fairly representative resident of the Tim and Eric universe. The B'owl made an early appearance on Awesome Show, the pair's deadpan-demented sketch series, and helped set the tone for what will likely prove to be this generation's Monty Python.

Thelma Schoonmaker Talks 'Tales of Hoffmann' Resto

March 12, 2015, 04:48 PM

http://collider.com/thelma-schoonmaker-tales-of-ho...

Decades ago, when Martin Scorsese and Thelma Schoonmaker were cutting Scorsese’s legendary film Raging Bull, he watched a 16mm print of The Red Shoes director Michael Powell‘s film The Tales of Hoffmann over and over again. Suddenly, in the middle of the edit, his assistant came in and said, “The Museum of Modern Art needs the print back.” Irritated, Scorsese asked why.

DaVinci Resolve Used to Grade Terrence Malick’s

March 12, 2015, 04:47 PM

http://bosfcpug.org/davinci-resolve-used-to-grade-...

Blackmagic Design today announced that DaVinci Resolve was used by Modern VideoFilm colorist Bryan McMahan to grade Director Terrence Malick’s new film, 'Knight of Cups.'

The invention of the colour purple

March 12, 2015, 09:49 AM

http://www.theguardian.com/lifeandstyle/2015/mar/1...

It’s not often that a teenager mucking about in their bedroom results in a commemorative blue plaque. But that’s what happened to William Henry Perkin in 1856.

How To Increase Your Editing Speed Dramatically

March 12, 2015, 09:47 AM

http://www.premiumbeat.com/blog/how-to-increase-yo...

Use these handy tips to speed up the editorial process significantly and get to the finish line faster. The post How To Increase Your Editing Speed Dramatically appeared first on The Beat: A Blog by PremiumBeat.

Hands-On With the Thin, Strange New MacBook

March 12, 2015, 09:46 AM

http://www.wired.com/2015/03/new-macbook-hands-on

Apple’s latest MacBook isn’t a spec update. It’s not an incremental upgrade. It’s a totally different machine, for a different kind of person. It’s also kind of ridiculous.

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