It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 27, 2015, 05:43 AM
http://filmschoolrejects.com/features/the-dress-li...
If you want to take a break from arguing with your loved ones and strangers on the internet over whether The Dress is white/gold or blue/black, take a look at this video where artist Nacho Guzman uses moving colored lights to make his actress’ face appear to be constantly in flux. It’s much cooler than The Dress, anyway.
February 26, 2015, 07:51 PM
https://digitalfilms.wordpress.com/2015/02/27/sore...
Video formats don’t hold still for long and neither do video codecs used for file encoding. As the industry looks at 4K delivery over the web and internet-based television streaming services, we now get more codecs to consider, too. Target delivery had seemed to settle on H.264 and MPEG-2 for awhile, but now there’s growing […]
February 26, 2015, 01:35 PM
http://www.premiumbeat.com/blog/14-inspirational-a...
These Hyperlapse videos will likely be the greatest thing you’ll seen all year. The post 14 Inspirational (and Mind-Blowing) Hyperlapse Videos appeared first on The Beat: A Blog by PremiumBeat.
February 26, 2015, 01:34 PM
http://provideocoalition.com/jantunes/story/nas-ne...
Western Digital has expanded its suite of network attached storage (NAS) solutions with four new products that address the increasing demands for content storage, management, protection and streaming among prosumers, creative professionals and small businesses.
February 26, 2015, 01:34 PM
http://www.videoguys.com/blog/video-storage/g-tech...
Hurlbut Visuals by David Weldon So Shane walks up to me a few days ago and says: “Hey David, we need to talk about on-set workflow, specifically with the use of G-Raids. We need to get people to see what is important in their workflow as DITs on set and why these drives make a Read More
February 26, 2015, 01:34 PM
http://prodesigntools.com/pay-adobe-with-paypal-no...
For years it was difficult if not impossible to buy Adobe software online (especially the newer CC subscriptions) and pay with PayPal instead of a credit card or debit card. But finally, great news: Adobe has just made it possible to purchase all software using PayPal in many countries worldwide, so you can now buy Creative Cloud (or CS6) without a credit card.
February 26, 2015, 10:26 AM
http://www.artofvfx.com/?p=11226
In 2014, Matt Kasmir explained to us about Nvizible‘s work on EDGE OF TOMORROW. He then worked on DRACULA UNTOLD and PADDINGTON. Today, he talks about his work on KINGSMAN – THE SECRET SERVICE.
February 26, 2015, 10:25 AM
http://blogs.adobe.com/premierepro/2015/02/the-evo...
Originally posted to the Adobe Conversations Blog by Bill Roberts, Senior Director of Product Management, Creative Cloud Video segment In 1934 the Academy Awards introduced a new category: Film Editing, awarding an Oscar to Conrad A. Nervig for his work on the movie Eskimo. Often called “the invisible art,” editing has made movies possible since they first began, but the field still struggles to gain the appreciation from the general public that it deserves. At Adobe, however, we have...
February 26, 2015, 10:24 AM
http://postperspective.com/color-terrence-malicks-...
Modern VideoFilm’s Bryan McMahan on grading the dailies and final film By Randi Altman Terrence Malick’s Knight of Cups, which premiered at the Berlin Film Festival in early February, has literally been years in the making. Shot in 2012, on 35mm, 65mm and a variety of digital formats, Knight of Cups has had a two-year post-production cycle. For the film, which stars Christian Bale as a Hollywood screenwriter having a sort of crisis of conscious, the director called on frequent collab...
February 26, 2015, 10:24 AM
http://www.redsharknews.com/audio/item/2401-what-s...
There's one thing that matters above all else when you're mixing for films or TV Audioaudio for videoMixingAudio mixingDubbingDubbing mixer
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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