It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 22, 2015, 02:59 PM
From the pages of Alan Smith’s Here Be Monsters! (2005) Graham Annable and Anthony Stacchi release the Boxtroll creatures from the stillness of the page and set them loose to roam the big (and small) screen. When I spoke with Annable and Stacchi I discovered two humble directors keen to play down their own contributions and acknowledge the team of craftsmen and artists who, in their own words, “spent two years making us look good.”
February 22, 2015, 02:57 PM
http://bosfcpug.org/visual-effects-for-20th-centur...
Blackmagic Design's Fusion Studio was used by VFX house Doc & A Soc to construct some of the most complex visual effects (VFX) in Matthew Vaughn’s latest worldwide cinema release 'Kingsman: The Secret Service.'
February 22, 2015, 08:11 AM
http://provideocoalition.com/ssimmons/story/day-22...
This reader submitted Quicktip actually came from two different editors out there and it is a shortcut that I wasn’t aware of: a way to add a specific Media Composer track number beyond the next sequential number.
February 22, 2015, 08:11 AM
http://behindvfx.com/post/111701119395/behind-vfx-...
Behind VFX ACCESS – The Making of Kingsman: The Secret Service (00:41:07)
February 21, 2015, 10:59 AM
http://logic-pro-expert.com/logic-pro-blog/2015/02...
Groove3 have just released a new video tutorial series made by Eli Krantzberg that covers all new features in Logic Pro X 10.1 in-depth. 2 video tutorials are free to watch.
February 21, 2015, 10:59 AM
http://www.animationinsider.com/2015/02/derek-cart...
Derek Carter. Current occupation ? Hmm that’s a little difficult. Basically I’m a humorous illustrator and artist. In animation I was a background designer and art director if you need basic labels.
February 21, 2015, 10:58 AM
http://www.finalcutpro.es/2015/02/noticia-fusion-s...
(Nota de prensa) Fusion Studio presente en la composición de efectos visuales de «Kingsman: Servicio Secreto» Blackmagic Design anunció en el día de hoy que la posproductora Doc & A Soc utilizó Fusion Studio en la creación de los efectos especiales más complejos para «Kingsman: Servicio Secreto», el éxito de taquilla más reciente del director Matthew […]
February 21, 2015, 10:58 AM
http://provideocoalition.com/ssimmons/story/day-21...
There’s an old feature hanging around Avid Media Composer that is a holdout from the days of linear online editing that can be an alternate way to make notes to yourself right in the timeline.
February 21, 2015, 10:58 AM
http://www.redsharknews.com/technology/item/2386-h...
This is the fastest affordable drive combination we've ever tested AKITO Thunder 2 QuadSSDSSD RAIDPNYThunderboltThunderbolt 2
February 21, 2015, 10:58 AM
http://blogs.adobe.com/conversations/2015/02/the-e...
In 1934 the Academy Awards introduced a new category: Film Editing, awarding an Oscar to Conrad A. Nervig for his work on the movie Eskimo. Often called “the invisible art,” editing has made movies possible since they first began, but the field still struggles to gain the appreciation from the general public that it deserves. At Adobe, however, we have always been big fans. To honor the art of film editing on the eve of the 87th annual Academy Awards, we’ve put together a quick visual...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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