It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 11, 2015, 03:28 PM
http://provideocoalition.com/news/story/key-code-m...
To support the growing IT challenges broadcast, post production, and corporate video face today, Key Code Media is strengthening its technical staff. With a focus in live production, collaborative editorial, storage/archive, media management, and content delivery, we are bringing on multiple...
February 11, 2015, 03:27 PM
http://www.toolfarm.com/blog/entry/nab_2015
Here’s everything you need to know about NAB 2015. This page will be updated with new information as soon as we get it. Consider it your main resource for NAB information!
February 11, 2015, 10:30 AM
http://www.studiodaily.com/2015/02/oscar-nominated...
On Sunday, Interstellar won the BAFTA award for best visual effects, an award presented fittingly as it turned out by Dr. Stephen Hawking. Hawking’s long-time friend Dr. Kip Thorne, a renowned astrophysicist famous for his work on black holes and … more » The post Oscar-Nominated VFX Supervisor Paul J. Franklin on Interstellar appeared first on Studio Daily.
February 11, 2015, 10:30 AM
https://www.videoguys.com/Blog/E/The+Editing+Essen...
Editing can be a very consuming and at times cumbersome experience for many filmmakers. Mike Wilkinson recently went into detail on FStoppers.com in talking about what he’s learned in his time crafting a workflow for editing video as a freelancer, and in reading it I was able to see that many of his investments and opinions were ones I’ve put into use myself as well. In this piece I’ll take his insights, and add to them from my personal experiences:
February 11, 2015, 10:29 AM
http://www.animationinsider.com/2015/02/gabby-zapa...
Interview with Gabby Zapata, Production Artist at Disney Interactive in Glendale, California.
February 11, 2015, 10:29 AM
http://www.tvtechnology.com/article/hpa--live-vs-p...
INDIAN WELLS, CALIF.—“Live means not being able to say, ‘I’m sorry.’” This was Mark Schubin’s summation of a presentation at the Hollywood Post Alliance Tech Retreat this week that highlighted the popularity of live media and the challenges of producing it versus material that goes into post.
February 11, 2015, 07:12 AM
http://www.mentorless.com/2015/02/11/watch-jaws-sh...
Antonios Papantoniou delivered a video essay that will make filmmakers’ day: a shot by shot cinematic breakdown of Jaws, Steven Spielberg‘s classic, looking at the type of shots, the camera angles, the camera movements, the duration of shots.
February 11, 2015, 07:12 AM
https://fstoppers.com/business/why-well-fix-it-pos...
Ever hear someone say “Don’t worry, we can fix it in post”? This is increasingly both a still photography and motion ‘issue’. We’ve so accustomed to having the digital tools to ‘fix’ our work, most people see it as a normal part of the process. For personal and business growth, this mindset is like asking to be blindfolded and then getting directions to the nearest minefield. Fixing things in post should not be a standard approrach as it's asking for trouble. Here’s why, ...
February 11, 2015, 07:11 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“I would send you a bouquet of newly sharpened pencils if I knew your name and address.” — Joe Fox ...
February 11, 2015, 07:10 AM
http://lfhd.net/2015/02/10/avid-mc-advanced-tip-or...
OK, this is a tip for the more advanced user. One who knows their way around the Avid Media Composer software enough to dig themselves out of any hole they might dig themselves into. Or those who know a bit about how Avid MC operates under the hood. Although some if this is easy enough [...]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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