It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 16, 2017, 10:21 AM
http://www.artofvfx.com/a-monster-calls-ferran-dom...
In 2014, Ferran Domenech told us about the animation work of MPC on GODZILLA. He then worked on NIGHT AT THE MUSEUM: SECRET OF THE TOMB, THE LEGEND OF TARZAN and FANTASTIC BEASTS AND WHERE TO FIND THEM. He talks to us today about his work as a VFX Supervisor.
January 16, 2017, 06:34 AM
http://www.artofvfx.com/nvizible-motion-graphics-r...
Beautiful motion graphics work in this brand new showreel by Nvizible featuring their work on JASON BOURNE, ABSOLUTELY ANYTHING, EDGE OF TOMORROW and more...
January 13, 2017, 02:08 PM
http://lesterbanks.com/2017/01/fullframe-breakdown...
FullFrame is a Rio de Janeiro boutique specializing in VFX. Watch their breakdowns they have created that shows off a digital dancing cow. The breakdown shows how the cow was created with bone, muscle, fat The Post Watch FullFrame FX’s Breakdown for a Digital Dancing Cow originally appeared and published on %%BLOGLINK%,by lesterbanks
January 13, 2017, 07:43 AM
http://www.provideocoalition.com/rising-sun-pictur...
The nomination for the VES Awards comes for the studio’s work on the Quicksilver Extraction sequence from the 20th Century Fox film X-Men: Apocalypse. Rising Sun Pictures has been nominated for Outstanding Compositing in a Photoreal Feature in the Visual Effects Society’s 15th Annual VES Awards. In the Extraction sequence, Quicksilver (Evan Peters) uses his The post Rising Sun Pictures nominated for VES Award appeared first on ProVideo Coalition.
January 13, 2017, 07:41 AM
https://www.fxguide.com/quicktakes/one-of-us-takes...
The Netflix drama The Crown won two awards at the Golden Globes: best performance by an actress in a television drama for Claire Foy and as Variety dubbed it "the crown jewel award": best television series drama.
January 12, 2017, 02:22 PM
http://www.macrumors.com/2017/01/12/adobe-research...
Adobe this week published three videos on YouTube, sharing details on what its research team is working on for inclusion in future Adobe products like Photoshop.
January 12, 2017, 02:22 PM
http://prodesigntools.com/photoshop-3d-sculpt-vr-p...
The Adobe Research team is exploring what Photoshop would be like with a 3D canvas instead of 2D… With the Interactive Sculpting project shown the video above, instead of drawing and manipulating pixels, the tool operates on three-dimensional voxels. An artist uses all the familiar tools from Photoshop like brushes, layers, and filters to sculpt 3D objects. It also showcases some innovative tablet interaction model that uses simultaneous touch and pen input: the user rotates objects with one...
January 12, 2017, 02:22 PM
http://www.artofvfx.com/arrival-philippe-theroux-v...
In 2015, Philippe Théroux spoke to us about Hybride’s work on UNBROKEN. He then took care of the effects of TOMORROWLAND, JURASSIC WORLD, STAR WARS: THE FORCE AWAKENS and WARCRAFT.
January 11, 2017, 06:02 PM
http://www.studiodaily.com/2017/01/how-big-is-the-...
Expectations for the VR market are running high, with vendors, content creators and enthusiasts alike predicting robust growth in demand for head-mounted display hardware. But many observers still remember the broken promises, not so long ago, that stereo 3D would … more » The post How Big Is the Installed Base for Virtual Reality? appeared first on Studio Daily.
January 11, 2017, 05:57 PM
http://www.goldderby.com/article/2017/best-visual-...
The current frontrunner to win the Oscar for Best Visual Effects, “The Jungle Book,” picked up six nominations with the Visual Effects Society (VES) this week, solidifying its place atop our predictions in the category with current 21/10 odds.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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