To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
BOOK: BETWEEN CUTS. CONVERSATIONS WITH ARGENTINIAN
April 28, 2018, 09:52 AM
https://edaeditores.org/book-between-cuts-conversa...
ADOBE SURVEY – CHANCE TO WIN
April 27, 2018, 06:08 AM
http://lappg.com/aadobe-survey-please-take-moment-...
Adobe strives to provide the best tools, training, and support for creative pros. They want to make meaningful improvements that help save you time, and let you focus on your craft. To that end, they’d appreciate your feedback on NLE’s and other creative tools you use in your editorial workflow. Please take a few minutes […] The post ADOBE SURVEY – CHANCE TO WIN appeared first on lappg.
Keeper of the Screens
April 26, 2018, 04:53 PM
http://www.studiodaily.com/2018/04/keeper-of-the-s...
Museums have time-honored techniques for protecting and restoring sculptures and paintings, but what about TV sets? That’s right — TVs have been a fixture on the modern-art landscape since Nam June Paik pioneered video art back in the 1960s. Meet Chi-Tien Lui, the technician who keeps fine-art video installations glowing at museums including MoMA, Whitney and […] The post Keeper of the Screens appeared first on Studio Daily.
Review: Warren Eagle’s Resolve training
April 26, 2018, 01:50 PM
http://postperspective.com/review-warren-eagles-re...
By Brady Betzel With Blackmagic’s DaVinci Resolve 15 released at this year’s NAB, a lot of editors, colorists and now audio mixers want to dive in and see what all of the fuss is about. Resolve 15 now a Pro Tools competitor thanks to Fairlight and an After Effects competitor thanks to Fusion. Continue reading → April 26, 2018 The post Review: Warren Eagle’s Resolve training appeared first on Randi Altman's postPerspective.
easyDCP Exports From Final Cut Pro X Now on a Pay-
April 26, 2018, 09:17 AM
http://www.fcp.co/final-cut-pro/news/2069-easydcp-...
If you need to know about exporting from FCPX to provide a file that can be played in cinemas, you'll know about the difficulty and expense of making a DCP. Now easyDCP has launched a pay-as-you go service exporting out of FCPX with the easyDCP Publisher Bridge.
Sound Editors Ethan Van der Ryn and Erik Aadahl on
April 26, 2018, 03:40 AM
http://www.studiodaily.com/2018/04/sound-editors-e...
In John Krasinski’s post-apocalyptic horror film A Quiet Place, sound is a matter of life and death. The bloodthirsty aliens stalking an isolated farm family (played by the director and his real-life wife, Emily Blunt) hunt with their ears, setting the characters — and audience — on a nearly silent and terrifying tiptoe toward the […] The post Sound Editors Ethan Van der Ryn and Erik Aadahl on A Quiet Place ‘s Seriously Scary—and Silent—Sonic Experience appeared first on Studi...
ASE FEATURED IN ‘CINEMAEDITOR’ MAGAZINE
April 25, 2018, 04:02 AM
https://www.screeneditors.com.au/ase-featured-in-c...
Mark Miller to Head VFX Operations, Including New
April 25, 2018, 04:01 AM
http://www.studiodaily.com/2018/04/mark-miller-hea...
New York-based Alkemy X has hired Mark Miller, co-founder of Eden FX and former GM at Pixomondo Burbank, to run its new L.A. VFX and post-production facility. Based in Los Angeles, Miller will travel to Alkemy X offices in New York and Philadelphia as required, with responsibility over all of the company’s VFX operations. Located in Favilli […] The post Mark Miller to Head VFX Operations, Including New L.A. Facility, for Alkemy X appeared first on Studio Daily.
A conversation with film and TV editor Brian A. Ka
April 24, 2018, 12:41 PM
http://postperspective.com/a-conversation-with-fil...
By Amy Leland In 2004, Manhattan Edit Workshop began a four-week editing workshop for aspiring professional editors. In 2006, it became their six-week workshop. During the six weeks, the students receive training on the most-used editing tools of the industry. They are also given a chance to explore the art of editing. Continue reading → April 24, 2018 The post A conversation with film and TV editor Brian A. Kates appeared first on Randi Altman's postPerspective.
Beneath the Waves: Film/VFX Winners Interview
April 24, 2018, 09:16 AM
https://magazine.artstation.com/2018/04/beneath-wa...
For the Film/VFX Character portion of the Beneath the Waves Challenge, participants were tasked with producing a rendered aquatic character with no paintovers. Strong composition, modeling, texturing and lighting were the main judging criteria to evaluate the entries.
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