To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
An interview with The Florida Project Post Team
May 1, 2018, 06:04 AM
https://www.provideocoalition.com/nab-2018-an-inte...
When I saw a list of Premiere Pro related people that Adobe was brining to NAB 2018 my first request was for the team behind Mindhunter. While I love the show it was my second scan over the list a few days later that I was even more excited when I saw that team-members from the Oscar nominated film The Florida Project were going to be available for interview. I had just seen the movie about a week before and loved its free flowing indie style, the pace of the film (though my wife did ask at one ...
eNews 85 – April 2018
April 30, 2018, 04:31 PM
https://www.screeneditors.com.au/enews-85-april-20...
eNews 85 - April 2018
THE HIDDEN CRAFT OF ASSISTING EDITING
April 30, 2018, 04:31 PM
https://www.screeneditors.com.au/the-hidden-craft-...
In all productions whether drama, documentary or reality television, the Assistant Editor is a key and crucial role in keeping the post-production workflow flowing. Assistants are the manager of rushes, the technical support team and are there to do whatever is required to make the post-production process as smooth as possible. Every production is different […]
Black Panther Editor, VFX Supe and Sound Designer
April 30, 2018, 04:31 PM
http://www.studiodaily.com/2018/04/black-panther-e...
What’s it like to work with Black Panther director Ryan Coogler? Collaboration is the keyword. At an NAB 2018 Creative Master Series panel considering Black Panther‘s storytelling techniques, editor Michael P. Shawver, VFX supervisor Geoffrey Baumann, and sound designer/supervisor and re-recording mixer Steve Boeddeker indicated that the filmmaker is unusually concerned with the feedback and ideas from his […] The post Black Panther Editor, VFX Supe and Sound Designer Talk Creative...
RAMPAGE: Erik Winquist - VFX Supervisor - Weta Dig
April 30, 2018, 09:09 AM
http://www.artofvfx.com/rampage-erik-winquist-vfx-...
In 2017, Erik Winquist had explained the awesome work of Weta Digital on WAR FOR THE PLANET OF THE APES. He talks to us today about the giant creatures of RAMPAGE.
A CONVERSATION WITH THE MEAA
April 30, 2018, 05:48 AM
https://www.screeneditors.com.au/a-conversation-wi...
A conversation with the MEAA about our Australian Screen Industry Union and its efforts to gain better wages and conditions for all crew. Background: Guilds are groups of crafts-persons who come together to advocate for their craft, develop skills, set standards and mentor and advise those new to the craft. Unions are made up of […]
Madly (2016)
April 30, 2018, 05:47 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Nobody dies of love, do they?” ...
INSIDE THE EDIT – QLD
April 30, 2018, 05:47 AM
https://www.screeneditors.com.au/inside-the-edit-q...
Eisenstein makes a scene: IVAN THE TERRIBLE Part I
April 30, 2018, 05:47 AM
http://www.davidbordwell.net/blog/2018/04/29/eisen...
For Yuri Tsivian DB here: Everyone knows Eisenstein as a theorist and practitioner of something called montage, which in his hands comes to mean a lot of things. But he was no less interested in what he called expressive movement. He believed that the viewer could be aroused by dynamic physical action that carried powerful […]
Avengers - Infinity War editor, Jeffrey Ford, ACE
April 29, 2018, 08:35 AM
https://www.provideocoalition.com/art-of-the-cut-w...
Jeffrey Ford, ACE has been working in the Marvel Universe for several years. His previous projects include: Doctor Strange (additional editor), Captain America: Civil War (editor, for which I interviewed him previously), Avengers: Age of Ultron (editor and associate producer), Captain America: The Winter Soldier (editor), Iron Man 3 (editor), The Avengers (editor), and Captain America: The First Avenger (editor). Ford’s other work includes films like Public Enemies and One Hour Photo.
Newest from AOTG.com
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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