It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 4, 2018, 09:17 AM
http://www.artofvfx.com/the-ritual-ben-white-vfx-s...
Ben White began his VFX career at Mill Film in 1998. He then worked at Framestore and MPC before joining Nvizible. He has worked on many films such as GLADIATOR, THE DARK KNIGHT, AVATAR, MAN OF STEEL and FANTASTIC BEASTS AND WHERE TO FIND THEM.
May 4, 2018, 09:17 AM
https://library.creativecow.net/lewis_hillary/avid...
As much as each year's NAB Show is about what's completely new, it's about hearing what's new from the industry's most enduring companies. Creative COW Contributing Editor Hillary Lewis sat down with representatives from three of the biggest titan companies in production and post -- Avid's David Colantuoni, Adobe's Laura Williams Argilla, and Blackmagic Design's Dan May -- to discuss the thought process behind their releases, what people might overlook, and their outlooks on the future of the in...
May 4, 2018, 06:33 AM
http://designingsound.org/2018/05/04/thevinylfacto...
The Vinyl Factory has published a video directed by Sam Campbell which explores the many facets of field recording, featuring field recordists Nabihah Iqbal, Equiknoxx, Lawrence English, Lonelady, David Chatton Barker, Félicia Atkinson, Jonáš Gruska and Cheryl Tipp (British Library). You can read more about the video here.
May 4, 2018, 06:33 AM
http://www.avidblogs.com/lastjedi/
The article ‘Star Wars: The Last Jedi’ Editor, Bob Ducsay, Shares Media Composer Timelines by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
May 4, 2018, 06:32 AM
http://www.artofvfx.com/guardians-of-the-galaxy-vo...
Nice VFX Breakdown by Weta Digital about their work on GUARDIANS OF THE GALAXY VOL. 2...
May 4, 2018, 06:32 AM
http://bobbyowsinskiblog.com/2018/05/04/episode-21...
My guest this week is television and film composer Chris Boardman, who was one of my first guests when I started this podcast 4 years ago. He was originally on episode #11.
May 4, 2018, 06:32 AM
http://www.cgmeetup.net/home/jim-button-and-luke-t...
RISE – This reel showcases the work created at RISE | Visual Effects Studios for the film Jim Button and Luke the Engine Driver.
May 4, 2018, 06:32 AM
https://www.provideocoalition.com/faster-together-...
How many 4K TVs are on the shelves at Best Buy? Quite a few, right? You can pretty much pick up a 4K television for what it used to cost for a flat screen HD model. If you can recall, there was a time when shooting in 4K was possible, but it was difficult to deliver to 4K. Not so much anymore.
May 3, 2018, 04:31 PM
http://www.indiewire.com/2018/05/visual-effects-ma...
It’s been 10 years since Robert Downey Jr. suited up as Tony Stark in the iconic Mark 1 armor in “Iron Man.” Back then the VFX had to look good to win over CG skeptic Jon Favreau, but Industrial Light & Magic stepped up and earned the first of eight Oscar nominations for Marvel.
May 2, 2018, 12:17 PM
http://www.studiodaily.com/2018/03/a-quiet-place-s...
It didn’t take long for sound editors Erik Aadahl and Ethan Van der Ryn to comprehend that A Quiet Place posed significantly different challenges from the blockbuster tentpole fare that has earned them both awards and accolades in the past. Indeed, the entire foundational narrative of John Krasinski’s new film is the fact that “it […] The post Co-Supervising Sound Editors Erik Aadahl and Ethan Van der Ryn enter A Quiet Place appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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