It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 7, 2018, 09:12 AM
https://www.prosoundeffects.com/blog/the-odyssey-c...
Take an inside look (and listen) at the quality and depth of Odyssey Expanded. Watch sound effects editor Bob Kellough (Spider-Man: Homecoming, Justice League) explore The Odyssey Collection: Expanded. Get a listening tour of the library and learn why he loves the quality of the recordings and organized presentation – and check ... The post The Odyssey Collection: Expanded Library Tour with Bob Kellough appeared first on Pro Sound Effects Library.
May 7, 2018, 09:12 AM
http://www.artofvfx.com/altered-carbon-steve-moncu...
Steve Moncur began his career in the visual effects in 2003 at MPC. He then worked at Baseblack and Cinesite before joining DNEG TV in 2016. He has worked on many films such as KINGDOM OF HEAVEN, POSEIDON, 10’000 BC, KINGSMAN: THE SECRET SERVICE and FANTASTIC BEASTS AND WHERE TO FIND THEM.
May 7, 2018, 09:12 AM
https://petapixel.com/2018/05/07/infinite-color-i-...
Working as a retoucher, one of the hardest parts of my job wasn’t even the cleanup work that an image typically requires, it was the color grading. Applying a specific look to an image to really enhance or create a mood that meets the client’s vision was either doable or really hard. There was never a time when it was completely easy, even for me.
May 7, 2018, 09:11 AM
https://vimeo.com/channels/editorslounge/267335428
AlphaDogs' series of educational videos about the benefits of professional post production continues with this episode, where Terence demonstrates how professional audio post production can enhance a project by building up a scene through added sound design.
May 7, 2018, 09:11 AM
https://www.provideocoalition.com/steve-hullfish-e...
Steve Hullfish has interviewed some of the tops minds in feature film editorial for Art of the Cut. Perhaps you’ve even read his interview with Jeffrey Ford, the editor of Avengers – Infinity War. Steve is prolific writer and a feature film editor himself. He has credits on movies like War Room, Courageous, and The Oprah Winfrey Show. His personal experience alone makes Steve qualified to speak on editing technique. In fact, Steve has written numerous books on the topic.
May 7, 2018, 05:06 AM
https://blogs.creativecow.net/blog/14802/attend-si...
If you're a full time post production worker in the US that makes less than the median income where you live, you might have some trouble making the next leap in your career. It's hard to say yes to opportunities that would enrich your work life and help you build connections to climb the ladder when your finances limit your choices. That's why Blue Collar Post Collective created the Professional Development Accessibility Program (PDAP).
May 7, 2018, 05:06 AM
https://gointothestory.blcklst.com/pixar-and-the-c...
18 movies produced. 17 movies #1 at the box office. Worldwide B.O. gross over $11 billion. Average B.O. per film: $650M+ by far the highest average per film of any studio in Hollywood history.
May 6, 2018, 07:51 AM
https://digitalfilms.wordpress.com/2018/05/06/audi...
When budgets permit and project needs dictate, I will send my mixes out-of-house to one of a few regular mixers. Typically that means sending them an OMF or AAF to mix in Pro Tools. Then I get the mix and split-tracks back, drop them into my Premiere Pro timeline, and generate master files. On the […]
May 5, 2018, 03:07 PM
https://vfxserbia.com/2018/05/05/lost-boy-vfx-brea...
Following in the footsteps of SUNDAYS, their debut concept short success which turned heads worldwide last year, comes LOST BOY, the hugely awaited punk sci-fi feature project which is next in-line from visionary outfit PostPanic Pictures.
May 5, 2018, 09:24 AM
https://www.provideocoalition.com/aotc-Cross-Hosti...
Tom Cross, ACE, is an Oscar winner for his editing of Whiplash. He was last nominated for an Oscar for Best Editing for La La Land, for which he won the ACE Eddie. He was also nominated for an Eddie for his work on Joy. Art of the Cut has interviewed Tom twice before: for Joy and again for La La Land.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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